Oswald in the doorway: the blog of the Oswald Innocence Campaign, by Ralph Cinque

This is an interview of Mary Moorman from the day of the assassination. It was done at the Dallas PD where they had a press room. It was with the local ABC affiliate, WFAA Television.

You'll hear the interviewer ask, "your photo is with the FBI now?"
And she says, "Yes, that's right." 

https://www.youtube.com/watch?v=YEavxZReo84

And, she and Jean Hill did other interviews that afternoon, and in no instance did she show any reporter her photo. Surely, if she had it with her, she would have shown it. Why not? Why would you just talk about a photo if you had it with you?

So, they right away took Mary's photo from her, and then she was busy for quite a while being questioned both by police and by reporters. 

So, what happened during the time they had the photo? I figure they probably swifted it over to Jaggars/Chiles/Stovall (which was very close to the PD) to have them make a negative of it, so that they could create as many copies as they needed. They never would have let her go home with it if they hadn't done that. 

And I don't mean some crappy copy either. I mean one that was every bit as good as the original- or better. Otherwise, they would not have let her go home with it. 

Remember, it was 1963. People had more respect for the government then than they have today. 

Of all those who captured images of the JFK assassination, film or photo, did a single one make a stink about turning their private property over?  I don't think so. 

What do you think would happen if I photographed some historic and extraordinary event and police asked me for my camera? I would say no. And if they demanded it, I would still say no. And if they said they were were going to arrest me, I'd say, "Arrest me."

The only  way they would get it is if they physically overcame me. 

And, I don't think I am the only one who feels that way. 

But, that was a different time, and people did what they were told. 

The wife of Roscoe White, whose name I believe was Geneva, said that he told her that Jaggars/Chiles/Stovall was command-central, the main headquarters for the JFK assassination. They did a lot of top secret, intelligence work for the CIA and the US Military. For instance, they are the ones who processed the aerial photos of the Russian missile silos in Cuba during the Cuban Missile Crisis. 

And Oswald worked at Jaggars/Chiles/Stovall during the Cuban Missile Crisis. It was the last job he had before he moved to New Orleans in late April 1963. 

And they did photo manipulation there at Jaggars/Chiles/Stovall, and Oswald said so himself. When he was shown the Backyard photos, he said that someone had plastered his face to another man's body. He also said that he knew how to do it himself and could show them, having learned it on the job. He was referring to his job at Jaggars/Chiles/Stovall.  

OIC Chairman Larry Rivera believes that, most likely, the Altgens photo was altered at Jaggars/Chiles/Stovall.