Oswald in the doorway: the blog of the Oswald Innocence Campaign, by Ralph Cinque

"This seems to me to be the exact moment when Moorman took her photo." Joseph Backes

You idiot. That isn't it. Look how close the motorcycle cop is to Mary on the left. Being that close to her, he would have loomed much larger in the picture. Plus, he's still not far enough forward. He had to get further ahead of Mary to match what we see on the right. And look how much area there is behind the limo in Mary's picture. Considering how close Clint Hill is to the limo on the left, shouldn't we be seeing him on the right if that's when it was taken. 

Plus, can't you see that we're looking down Elm Street to the west in the Moorman photo? It's an eccentric picture. But, on the left, Mary Moorman is facing Elm Street squarely. Any picture she took would be more balanced. 

Compare it to the Muchmore frame, which is also eccentric.

Now, you know where Muchmore was. She wasn't just standing on Elm Street facing the limo. Muchmore was not shooting the limo squarely, meaning that she was not 90 degrees to Elm Street. And neither was the person who took the Moorman photo. 

Backes, you are the most blithering of blithering idiots in this world. Let's see how many people back you up on this.  Who else says that this represents when Mary Moorman took her photo?

Anyone want to back Backes back up on this?