Oswald in the doorway: the blog of the Oswald Innocence Campaign, by Ralph Cinque

Forget the Zapruder film, Backes. You can't decide what the Moorman photo shows by looking at the Zapruder film and interpreting it through the Zapruder film. 

We can't even make sense of what Mary Moorman is doing in the Zapruder film, never mind Martin and Hargis.

The freaky dissociations in the Zapruder film make it completely unreliable. It was altered. Listen to Doug Horne, Backes, a man for whom you are not fit to clean his septic tank. 

Another way I have to demonstrate the two motorcycles is to measure the depths of the front of the bike and the back of the bike.

  
Realize that when we climb up the two dimensional photo that amounts to depth. For example, Chaney is higher than Hargis, which means he is deeper in the scene. Remember, it's 3 dimensions being represented as 2. 

So, on the left, you see the little x, and that represents the depth of the front wheel of the motorcycle. I couldn't draw a line because it was the first grab of the camera. Remember that when you point a camera that your field doesn't include everything in front of it. For example, in taking a picture of this chair, I was about 3 feet in front of it.

So, the three feet between me and the chair was not captured in the picture, and it was the same for the person taking the Moorman photo. 

But, just as the edge of the chair was at the beginning of my camera field, it was the same with the front of the motorcycle in the Moorman photo.

So, at the x on the left, there is no depth at all for the front wheel; it is right at the beginning of the camera's field of view. But, at the back of the motorcycle, behind Hargis, there is depth, indicated by the white arrow and the letter y Well, that is impossible because the back of the bike had the same depth as the front of the bike. IT'S TWO DIFFERENT BIKES!