Oswald in the doorway: the blog of the Oswald Innocence Campaign, by Ralph Cinque

Matching the arrangement, the configuration of JFK and Jackie enabled researchers to realize that the Moorman photo was taken at Z-315/316. 

Well, if we can do it with the Zapruder film, why can't we do it with Muchmore? I'd say the three above all look the same; they are the same instant in time. We see the same distance between JFK and Jackie; the same relatively low height on Jackie; the same angles; the same everything. 

Here is the whole frame from Muchmore: 

So, that is when the Moorman photo was taken, and Mary Moorman could not have produced it. I'm not even sure she was taking a picture at the time. She may have just been holding the camera. You don't really see her arms out in front of her as you do in other frames, such as this one:

Now, that's picture-taking. So, let's go back to the money shot:

Obviously, in this picture we are seeing BJ Martin close to the curb. And his front tire is lined up with the limo tire similar to what we see in the Moorman photo.

So, it is time for us to reconsider whose bike that is. But first, notice how round and spherical the helmets look in the Muchmore frame.

Now recall how flattened the one helmet looks in the Moorman photo.

So, what is going on with that? Doesn't a sphere look round from any angle? 

Here is what the motorcycles looked like in back.

So, there was a raised platform which provided some support for the officer, but I presume that if necessary it could serve as a seat for a passenger? Now, let's look at the Moorman photo again.

What I am suggesting is that there are two motorcycles there, blended into one. First notice the arrow which seems to be pointing to someone's back. There is a color change there. Why would that be true if it was all one guy? And the other guy seems to be in the right position to be driving the motorcycle that is closest to us. Then you've got Hargis, and you can see his back seat. Notice that his back seat is too far away, too deep into the picture, to correlate to the front wheel that we see. In fact, Hargis himself seems too deep in the picture to be riding the motorcycle closest to us. 

You see where I wrote "front wheel", right? And you see where I wrote "Hargis" and "back seat", right? Well, focus on "front wheel" for several seconds and then switch your eyes to Hargis and "back seat" and then back to "front wheel", then back to Hargis, etc. They are discontinuous.  Hargis is deeper in the picture than the front wheel.

Now, keep all that in mind as we look at the entire Moorman photo again:

Doesn't it seem that Hargis is too deep to be riding the motorcycle that is closest to us?  Look how well you can see that seat behind Hargis. That is definitely not part of the motorcycle that is closest to us. It's too deep. Try this: Look at the front wheel of the motorcycle. Look how close it is to us. Look how we have no sense of depth. In other words, it's right at the start of the photographer's camera field, the first thing that her camera picks up. But, look how deep the seat behind Hargis is, in comparison. It's much deeper. It can't possibly be the same bike. 

And that would explain the weird shape of the helmet, which isn't round. 

There were two overlapping helmets there that were converted into one. Hargis' helmet stuck up higher than Martin's. They had to do a lot of revision there to convert them into one, and it came out crude and sloppy.   

 Look at the whole Moorman photo again.

In 51 years, no one has suggested to you that there are two motorcycles there, south of the limo, but get used to it because that is the reality.   

Take a look at this:

That would be the approximate dimensions of the rider of the first motorcycle, BJ Martin. Apparently, they darkened his lower leg, so that it looked, from a distance, to be the lower leg of Hargis. 

But, if that is all one guy, why is the thigh portion so light? It's because it isn't Hargis' thigh. It's Martin's. 

Plus, the thigh is way too long to be Hargis'.  Look at the distance between his backside and the apparent knee. It's too long. Thighs are not that long. It isn't anatomically correct. 

Now look at the corresponding frame from Muchmore.

It doesn't matter who was really ahead of who, but in the picture, Martin's head is more leftward than Hargis', and it's the same in the Moorman photo.

That's approximately where Martin's helmet was. Now, to those who wish to deny this: look at Hargis. Look behind him at the back of his motorcycle, which has no connection to the front wheel. If that's all one bike, it's angled.

It would mean he was headed for the curb. Look at the line of the limo on the left. Weren't the motorcycles following the same line? Recall that, from the start, I questioned why this motorcycle cop who is nearest to us looms so large in the picture. Even considering his closeness to the photographer, he seems awfully big. It's because there are two motorcycles and two men there, not one. 

Look behind Hargis. Now look at the front wheel. Then back again. And so on. Those two are unconnected. They are discontinuous. They are unaligned. The back seat of the motorcycle is deeper than the front wheel. They are two distinct and separate motorcycles and two distinct and separate men.