Let's be crystal about something: the things that Marina went on to tell the Warren Commisison, after months in "protective custody" she did NOT say at the time of the assassination.

When first asked if Oswald owned a rifle, she said he used to, but it got sold. She was referring to the shotgun he owned in Russia to go rabbit-hunting. Now, if she knew that he currently owned a rifle, why would she bring that up? So, it was really just another way of her saying that he didn't currently own a rifle.

When first asked if Oswald went to Mexico City, she said no, not that she was aware. But, by the time she testified to the WC, she cited things that Oswald supposedly told her about his trip to Mexico City.

When first asked about the Backyard Photos, she denied taking them. But, to the WC, she said that she did, but she was way off on the date. She said it was in February, even though the photos obvously were not taken in winter, and supposedly, Oswald didn't even order the rifle until March.

So, what is the explanation for all that? The explanation is that Marina Oswald was MK-ULTRA'd. They brainwashed her. They rehearsed her to answer the questions the way she did, and it most certainly involved mind control techniques.

The process began by severing her connection to everyone she was involved with during her time living with Oswald. And I mean everyone, including Ruth Paine. I have explained how they very cunningly took her away from Ruth Paine, by getting LIFE magazine reporters to offer to take her to Dallas on Saturday to visit Oswald at the Dallas PD. And then, without any guidance from her, instead of returning her to Ruth Paine's house WHERE SHE LIVED, they checked her into a hotel on the outskirts of Dallas, the Executor Inn. Then, they laid $200 in cash on her, and think about what that is equivalent to today. And from that point on, the Secret Service took over. You can be absolutely certain that they guarded her door all night long. Then, in the morning, they knocked. They took her and her kids out to breakfast. And they told her, point blank, that she wasn't going back to Ruth Paine's house. OSWALD WAS STILL ALIVE! Think about that. They confiscated Oswald's wife before he was even dead. How did they expect to get away with that? Because: they knew that soon he was going to be dead. The Dallas Police and the FBI killed Oswald, but the Secret Service's job was to secure Marina.

So, they sent agents to Ruth Paine's house to gather up Marina's stuff. Marina never went back there again and never laid eyes on Ruth Paine again. And I mean that over the decades that followed, they had no contact whatsoever- ever again.

So, why did they want Ruth Paine out of Marina's life? It was because even Ruth Paine grounded Marina to reality, and they didn't want Marina grounded to reality. They wanted her to live in their fantasy world with their fictitious memories of her past that they wanted to plant in her head.

The process invovled more than just psychological manipulation and indoctrination. It involved drugs. MK-ULTRA always did involve drugs:: amphetamines, LSD, mescaline, and more. And these kind of drugs often cause loss of appetite and weight loss. Here is Marina on 11/22/63 and then in February 1964 when she testified to the Warren Commission. What, did they not feed her when she was in "protective custody?" What kind of "protection" is that?

 Robert MacNeil ran into Osawld in the TSBD. MacNeil had just entered the building in search of a phone. He said it was 4 minutes after the shooting. He said he asked a young man where the phone was; the young man told him, and MacNeil raced off to use it. It was William Manchester, author of Death of a President, who found the record that Oswald said that as he was leaving the building, a blond Secret Service agent asked him for directions to the phone. MacNeil was blond, and he wore a press badge. Oswald probably mistook him for a Secret Service agent.

The stairs to the second floor were right inside the entrance to the right. Oswald used those stairs to go to and come from the 2nd loor lunchroom. So, from the doorway, he went through the double doors, then he turned right and entered the stairwell; he went up the one flight of stairs, and then he walked acorss the 2nd floor from the southeast corner to the northwest corner, where the lunch room was. He did the exact same thing in reverse going down. It must have been when he came out of the stairwell that he encountered MacNeil. And after that, he went out the door and talked to the cop who was guarding the entrance, and we see them both in the Three Tramps photo. It was 12:34 PM.

What I have been telling you is the truth: Oswald was in the doorway. Bill Shelley must have barked at him to go back inside, and Oswald must have protested. It was a commotion, and it's the reason why Dave Wiegman did his second pan of the doorway. But, Oswald did go inside; he began his trek to the lunch room. So, when Wiegman's camera captured the doorway the second time, there was no Doorman there because Oswald had left. And that's why they installed the image of the bald guy , who was as stiff and motionless as a Cigar Store Indian, in there. That is the truth.

 This one relatively clear frame from the WIegman film proves that they had the film unblurred. Remember what a film is: just a series of still frames that are sequenced rapidly. So, why is it that all of the postings of the Wiegman film are severely blurred? Such as this one:

https://www.youtube.com/watch?v=tAd_1X7DVso

I have made a collage, comparing the the one clear still-frame from the fllm (right) to the its counterpart in the film (left). So, why is the film so bad? They could not have made the clear still-frame unless they had a clear version of the film.

And right now, in 2026, Congresswoman Anna Paulina Luna is saying on television that NBC has a clear version of this film that shows that Oswald was standing outside during the shooting. GOOD FOR HER! Now, there's a politician I could vote for.

The perps had a problem with the Wiegman film: it showed Oswald standing in the doorway when he was supposed to be up on the 6th floor. And that was the primary, if not sole reason, for blurring the film.

I have been informed that the controversial documentary THE MEN WHO KILLED KENNEDY includes an interview of Dave Wiegman. I will have to try to find it and watch it because if they included it, they must have thought it supported the "coup d'etat" thesis.

What Congresswoman Luna and I have been telling you is the truth: the Dave Wiegman film captured Oswald outside. And there is no doubt about it.

 No matter who you think Doorman was, he wasn't that cherubic bald 2nd Wiegman Doorman. He's obviously not skinny Oswald on the left, but he isn't Lovelady either.

And that vertically striped, short-sleeved shirt is what Lovelady said he wore that day, and he posed in it for the FBI, as you can see on the right. Next to him is him from the Couch film when he was walking with Shelley to the railroad yard to look around. And it's something that he said he did. It's in his testimony. Read it:

Mr. BALL - First of all, let's get you to tell us whom you left the steps with.
Mr. LOVELADY - Mr. Shelley.
Mr. BALL - Shelley and you went down how far?
Mr. LOVELADY - Well, I would say a good 75, between 75 to 100 yards to the first tracks. See how those tracks goes---
Mr. BALL - You went down the dead end on Elm?
Mr. LOVELADY - Yes.
Mr. BALL - And down to the first tracks?
Mr. LOVELADY - Yes.
Mr. BALL - Did you see anything there?
Mr. LOVELADY - No, sir; well, just people running.
Mr. BALL - That's all?
Mr. LOVELADY - And hollerin.
Mr. BALL - How did you happen to go down there?
Mr. LOVELADY - I don't know, because everybody was running from that way and naturally, I guess---
Mr. BALL - They were running from that way or toward that way?
Mr. LOVELADY - Toward that way; everybody thought it was coming from that direction.
Mr. BALL - By the time you left the steps had Mr. Truly entered the building?
Mr. LOVELADY - As we left the steps I would say we were at least 15. maybe 25. steps away from the building. I looked back and I saw him and the policeman running into the building.
Mr. BALL - How many steps?
Mr. LOVELADY - Twenty, 25.
Mr. BALL - Steps away and you looked back and saw him enter the building?
Mr. LOVELADY - Yes.
Mr. BALL - Then you came back. How long did you stay around the railroad tracks?
Mr. LOVELADY - Oh, just a minute, maybe minute and a half.
Mr. BALL - Then what did you do?
Mr. LOVELADY - Came back right through that part where Mr. Campbell, Mr. Truly, and Mr. Shelley park their cars and I came back inside the building.
Mr. BALL - And enter from the rear?
Mr. LOVELADY - Yes, sir; sure did.
Mr. BALL - You heard the shots. And how long after that was it before Gloria Calvary came up?
Mr. LOVELADY - Oh, approximately 3 minutes, I would say.
Mr. BALL - Three minutes is a long time.
Mr. LOVELADY - Yes, it's---I say approximately; I can't say because I don't have a watch; it could.
Mr. BALL - Had people started to run?
Mr. LOVELADY - Well, I couldn't say because she came up to us and we was talking to her, wasn't looking that direction at that time, but when we came off the steps--see, that entrance, you have a blind side when you go down the steps.
Mr. BALL - Right after you talked to Gloria, did you leave the steps and go toward the tracks?
Mr. LOVELADY - Yes.
Mr. BALL - Did you run or walk?
Mr. LOVELADY - Medium trotting or fast walk.
Mr. BALL - A fast walk?
Mr. LOVELADY - Yes.
Mr. BALL - How did you happen to turn around and see Truly and the policeman go into the building?
Mr. LOVELADY - Somebody hollered and I looked.
Mr. BALL - You turned around and looked?
Mr. LOVELADY - Yes.
Mr. BALL - After you ran to the railroad tracks you came back and went in the back door of the building?
Mr. LOVELADY - Right.
Mr. BALL - Did you go in through the docks, the wide open door or did you go in the ordinary Small door?
Mr. LOVELADY - You know where we park our trucks--that door; we have a little door.
Mr. BALL - That is where you went in, that little door?
Mr. LOVELADY - That's right.

So, the two on the right are Lovelady wearing the same shirt. It's Oswald on the left. And the remaining guy, the 2nd Wiegman Doorman, is nobody. He was just put in there because Oswald left for the lunch room on Shelley's order.

 Now, I am going to show you what the Wiegman film reveals to us about what happened in that doorway. Wiegman did a second pan of the doorway, even though there was a lot happening of major consequence right ahead of him on Elm Streeet. He did that second pan because he heard or saw, through the corner of his eye, a commotion in the doorway. So, what was the commotion.

The commotion was between Bill Shelley and Oswald. Shelley placed himself in the doorway to guard it- to guard it from Oswald coming out and going out into Dealey Plaza. And Oswald did come out. It was about 12:25. Was it his decision to remain on the top platform, or did he want to venture down to the street? We don't know, but if he did try to exit the building completely, Shelley was there to stop him and did stop him.

But then, the press car came, the one with Wiegman and the other photographers, and Shelley freaked out. He could see what was happening, that Oswald was being filmed. So, he must have gone to Oswald and told him to go back inside. He probably ordered him to go to the lunch room, and that was the real reason why Oswald did it. But, Oswald must have put up some resistance. After all, he was on his lunch break. Shelley was his boss, but he had no right to tell him what to do on his off-time. So, there was a disruption in the doorway over that, and Wiegman got wind of it.

So, Wiegman did his second pan of the doorway, and by the time his camera got there, Oswald was gone. Shelley had prevailed. And be aware that this scenario I am describing fits perfectly with the timeline of Oswald and Officer Marrion Baker getting to the lunch room at about the same time. Oswald got there a few seconds before Baker. They came using completely different routes. Baker entered the building and ran to the back and took the northwest stairs up to the second floor, where he saw Oswald pass through the anteroom of the lunch room. Oswald took the elegant stairs in the southeast corner and walked across the second floor to get to the lunch room in the northwest corner.

I can't tell you the exact time that Oswald left the doorway, but it may have been before the fatal head shot. If so, it was just slightly before it. And if it wasn't slightly before it, it was slightly after it. Baker parked his motorcycle on the island which had the traffic signal at the top of Elm. He ran directly across the street, up the stairs, and Truly joined him. They ran to the back of the building; waited a little while for elevator; but when they realized it wasn't operational, they took the stairs. Truly led the way, which makes no sense since they were looking for an armed killer. Shouldn't the armed cop have led the way? But, Truly had gotten up to the 3rd floor before he realized that he had lost the officer. So, he went back down, and he joined Baker and Oswald in the lunch room.

So, Oswald left for the lunch room a little before Baker, but Baker was moving fast while Oswald was walking at a normal pace. And the result was that Oswald got to the lunch room a little before Baker. Oswald did NOT come down from the 6th floor. He came from the office side of the second floor. He walked from the southeast corner to the northwest corner across the 2nd floor, and he never made contact with the steps from the 6th floor.

And if he had come down from the 6th floor, he surely would have run into Truly, who was way ahead of Baker. So, there is NO CHANCE that Oswald came down from the 6th floor, which means that there is NO CHANCE that he shot JFK.

So, what the plotters is add a bogus Doorman to the 2nd pan of the Wiegman doorway.

Many times I have stated that the JFK motorcade films were deliberately blurred, and that includes the Wiegman film. However, even though they have never let us see the unblurred film, they have let us see unblurred frames. I am attaching one of them. It is a frame showing the 2nd Wiegman Doorman, who was nobody. He wasn't Oswald. He wasn't Lovelady. He was nobody.

This bald guy is not Oswald or Lovelady. He is a still image that was added to the film. They sped the film up so much, there is probably just one or a few frames of him. That's how they got away with putting a photo in a movie.

I have got a lot more to say about this. It is solid as a rock, I assure you. Please be patient. Contresswoman Luna is right about the Wiegman film, but she doesn't know the half of it.

 To those who support me that the man who was talking to the cop who was guarding the door appears to be Oswald, think about this: What was Oswald saying to him? He had nothing he could tell the cop about the murder because he didn't know anything. Oswald must have been talking about himself, saying that he was going to leave because they weren't going back to work. And the next thing he did was walk down the steps and walk away- right before the cop's eyes. Apparently, the cop didn't have a problem with it.

So, the whole story that Oswald snuck away is a lie. It is very likely that Oswald told the cop he was leaving.

And the whole "roll call" story is a lie too. There was never a formal roll call. This is from Chat GPT: "There was no formal TSBD roll call. Roy Truly noticed Oswald was absent from the group of warehouse employees gathered or being questioned on the first floor. That observation became the basis for telling Captain Fritz that Oswald was missing."

I think all honest persons will agree that this was no basis to conclude that Oswald was the murderer. And Oswald was not the only employee missing. Charles Givens also wasn't there. He had left. And Frazier said that he after the shooting, he went down to the basement to eat his lunch. And the cop who intereacted with Oswald at the door could have cleared the whole matter up in a jiffy.

It was just minutes before that Truly had brushed off Oswald to Baker. So, why suspect him of murder just because he wasn't observed with other workers a few minutes later?

The story stinks, and you know it. Roy Truly was CIA. The reason he brushed Oswald off to Baker is because they didn't want Oswald to be arrested at the TSBD. They wanted to get him armed and get him into the theater, where hopefully he would die in a shootout with Police. It didn't work out that way, but it almost did. It certainly could have. So, how did they get him armed and into the theater? I can partially explain that, and I will.

 This group is growing leaps and bounds, and I thank all the people who have been supporting me. But, I have also been banning people left and right because I'm not going to debate the JFK assassination with people who support the official story. If that's your spin, just go away. There are plenty of other JFK groups you can join, but you are not welcome here.

Now, I am going to talk about the Dave Wiegman film, which is the one that Congresswoman Luna has been talking about to the Media. Dave Wiegman worked for NBC, and he was in the first camera car, which was 6 vehicles behind the Presidential limo.

The first camera car was a 1964 Chevrolet Impala convertible. So, in November 1963, they had the latest model Chevy Impala., the 1964. It was provided by a Dallas Chevy dealer, Earl Hayes Chevrolet.

We know that he shot 16 mm film that was 24 frames per second, but we don't know the make and model of his camera.

But, I'll point out that there was nothing wrong with cameras then. They didn't shoot blurry footage. They had great film cameras in 1939, which was the year that The Wizard of Oz and Gone with the Wind came out. The Dave Wiegman film is EXTREMELY blurry, and it was deliberately blurred; not while filming, but afterwards.

So, who blurred it? Our government did. I certainly don't think that NBC took it on themselves to blur it. And prior to the age of internet and Youtube, what means did people have to watch the Wiegman film? I honestly don't know.

Congresswoman Luna kept saying that NBC has the Dave Wiegman film that shows Oswald outside. But, the Dave Wiegman film is streaming on Youtube today. So, what's the difference? The difference, I presume, is that she thinks NBC has the Dave Wiegman film unblurred, which we don't have; not on Youtube or anywhere else.

The next thing is to watch at the Dave Wiegman film. There are several postings of it on Youtube. I suggest you watch this one because it is in slow-motion. However, it was put up by the Prayermanites, and I want you to know that I denounce them vociferously because they insist that Oswald WAS in the doorway but not as the Altgens Doorman or even the Wiegman Doorman. Rather, they point to a fictitious figure whom they call Prayer Man, and they say Oswald was him. I tell you that Prayer Man is fictitious, that he was nobody.

The Prayermanites are propagandists. They are noise-makers. Their mission is to make noise to distract from the fact that Oswald was the Altgens Doorman by making a preposterous counter-claim that he was somebody else who wasn't anybody. So, I denounce the Evil Prayermanites, and I ask you to shun them. However, this slow-motion video of the Dave Wiegman film, which they put up, is useful, which is why I am using it.

So, watch this extremely blurry clip from the Dave Wiegman film. What I want you to notice is that Wiegman captured the doorway when his press made the turn from Houston to Elm. At the time, Wiegman was not trying to capture the doorway. He wasn't even thinking about it. He was just riding in the car and capturing the view; whatever was in front of him.

So, his car completed the 120 degree turn from Houston to Elm and then continued down Elm. Then, Wiegman did something very signifcaint: With his camera, he swung around to his right to do a second pan of the doorway. The first pan was just incidental, but the second pan was deliberate. He made the conscious, focused decision to film that doorway a second time.

https://www.youtube.com/watch?v=v7Q88vpIsp4

I'm going to quit now because I want to go about this very slowly. But, I leave you with a question: Why did Wiegman shoot the doorway a second time? The answer is that he must have seen something through the corner of his eye, or heard something, or both, that propelled him to do it. And we'll talk about that next time.