Sunday, September 13, 2026

 This is Part 2 of my takedown of the Evil Praymanites. They claim that Oswald was eating his cheese sandwich in the doorway, during the motorcade, at 12:30. Why would he do that? They were let off work early, at 11:45. We were told that it was precisely so that the employees could eat lunch and tidy up before the motorcade arrived. Who knows, maybe it was because they had to do things on the 6th floor like arrnage the boxes to build the Sniper's Nest. But, that's what we were told, and there is no reason to doubt that they did get off at 11:45. 

So, since Oswald got off at 11:45, why would he wait until 12:30 to eat? He hadn't eaten that day. According to Ruth Paine and Marina, the only thing he consumed before leaving for work was coffee. 

So, presumably, he was ready to eat. So, why wouldn't he? What else did he have to do in lieu of eating?  Why would he have postponed eating? In order to do what? 

And if he put off eating until 12:30, how did he spend that 45 minutes, and where did he spend it? Oswald told his interrogators that he spent the lunchbreak eating in the 1st floor lunch room, which is where he always ate. In this note by James Hosty, it appears that Oswald said that he went to the 2nd floor lunch room first to get a Coke, with which to wash down his lunch. A cheese sandwich can be rather dry, right? 


I can't think of any reason to doubt that Oswald did what the note said, which was eat his lunch early in the lunch break, and then go outside to watch the Presidential Parade. That's what P. Parade stands for.

So, why would he be eating at 12:30? He wouldn't. He couldn't. He didn't. It is just an Evil Prayermanite lie. 

And why would anyone be eating during JFK's motorcade? I mean, if it were say an Easter Parde or 4th of July Parade, you might be noshing on something as you watched. But, not when it's the President of the United States. We have footage of the entire 10 mile drive from Love Field, with all the huge, thick crowds that lined the streets, and I don't recall seeing anyone eating. And in Oswald's case, it is particularly ridiculous because he was given the opportunity to eat at a time when there was nothing distracting him or preventing him from using the time to eat. It is impossible to conjure up anything that would have prevented him from doing so. No, he was not writing a love letter to Judyth Baker, telling her how much he looked forward to running away to Mexico with her, abandoning his wife and kids. There is no reason to believe that Oswald ever met Judyth Baker, and there is no evidence that he did.  

So, if you are a sane and rational person, you are going to believe Oswald that he ate his lunch early in the lunch break in the Domino room and then he went outside, where we can see him in the Altgens photo and the Wiegman film. But, I mean as the Doorman, not as the shadowy figure that the Evil Praymanites conjured up and call Prayer Man. As I said in Part 1, there was no Prayer Man. He is an invention. Why did they invent him? They invented him to muddy the waters, to create a false rumor to draw people away from recognizing that Oswald was the Altgens Doorman and the first Wiegman Doorman. 

The 2nd Wiegman Doorman was another invention. There was no 2nd Wiegman Doorman. He is just a still image that was added to the film. The reason they added him was because Oswald had left for the lunch room, so there was no Doorman. Apparently, the commotion that caused Wiegman to do his second pan of the doorway concerned Oswald. I think it was Bill Shelley ordering Oswald to go to the lunch room. There must have been a bit of a scene there. 

So, Oswald was definitely not eating in the doorway, but he was in the doorway, and here are three images of him on 11/22. Left is an arrest photo; center is Wiegman; and right is Altgens. 



 There was no Prayer Man. Not only is the claim that Oswald was Prayer Man false, but the claim that there was a Prayer Man is false. 

Let's be thorough about this. Prayer Man is a figure who is supposedly seen in two films: the Wiegman film and the Darnell film. We are talking, of course, about the doorway of the Book Depository. 

First, we should acknowledge that the quality of the films is very poor, and I mean extremely poor. There is a photo that is derived from a frame of the Wiegman film which shows the doorway during Wiegman's second pan of it. Wiegman captured the doorway the first time just from rounding the corner. But then, after passing it, he swung back around and shot the doorway a second time. Now, why did he do that?  

We don't know. He never said. And nobody ever asked him. I tell you that he must have detected a commotion in the doorway. Why else would he have done it?  

The Wiegman film that we have today is EXTREMELY blurry. The clearest image we have from it is a still frame that was converted into a photo. It is an image of his second pan of the doorway. Here it is, and next to it I have put the corresponding frame from the Wiegman film that we have today, which is from a Youtube video. 

I don't know the source of the superior image on the left, but it's very existence tells me that there is a higher quality version of the Wiegman film in somebody's hands, presumably NBC. Congresswoman Anna Luna from Florida has been saying, for years, that NBC has a better quality Wiegman film that they have been hiding. 

But, the Youtube postings of the Wiegman film are all we have. The Prayermanites claim that in the black of the doorway between black man who is next to the column and the Doorman on our right is another person. Do you see anybody? I don't see anybody. So, why do they claim it? 

What those evil Prayermanites did is post a Photoshopped image from the Wiegman film in which they added Prayer Man. 


 Do you think that is a bold statement? It is not. The Prayermanites admit it themselves. 
A 2024 Prayer Man analysis says that it examined eight Wiegman frames and that seven failed to show Prayer Man with sufficient clarity and detail. It then singled out one lone frame as the promising one. Then, that one frame was subjected to "light/clarity adjustments, AI-powered enlargement, noise cancellation, desaturation, contrast adjustment, and histogram manipulation." In other words, it was Photoshopped, and I'm using that term generically for image manipulation using software. 

The only thing that matters is what we can see in the Wiegman film. And the Prayermanites can't show you a version of the Wiegman film that looks like what they are claiming.  All they show is the doctored frame. And since you can't see it in the Wiegman film, there is no reason to believe or accept any of it.  

And consider that the Prayermanites have been around for a long time, probably 15 years. And they have always claimed that the Wiegman film shows Prayer Man. But, if they didn't do their image enhancement using AI until recently (2024), how were they claiming it in the beginning before there was AI?  

Do you think the Prayermanites have a better version of the Wiegman film? How could they have any version of it? It's not like you can buy it. I think they started with the same still frame that I showed you that is relatively sharp, and they applied their machinations to it. There is no reason to believe that their doctored frame is legitimate. If you are going to accept their doctored image, you might as well get your checkbook out to buy the Brooklyn Bridge.   

The bottom line is that the Wiegman film, as it appears on Youtube, is all there is. It's all we have. It is the only access we have to the Wiegman film. And the only way we can confirm what is in the film is by viewing the film. We can't trust anybody's still-frames of it because it is too easy to alter them. 

Prayer Man being in the Wiegman film is something we must reject outright, if we are honest and smart.  

The only other place the evil Prayermanites claim shows Prayer Man is the Darnell film, and I will cover that next time, and it is a humdinger of a story. And when I'm through, you'll understand why I call them the Evil Prayermanites.  


Saturday, September 12, 2026

 Watch the Midnight Press Conference again with your focus on one thing: does Oswald sound sane? It is a very pertinent question because he would have had to be completely insane to shoot Kennedy. So, does he sound sane or insane?


https://www.youtube.com/watch?v=9CK_xxne2WE

I tell you that he sounds so sane that they put a lot of noise over him trying to diminish his composure, steadiness, and grounded self-control. He showed a lot of equanimity and self-possession, despite the extraordinary situation he was in.

And if we look at Oswald's life at the time, his objectives are clear and sane. He wanted to get his family back under his roof. He wanted to find a better job. He wanted to acquire a driver's license. For him to destroy his entire life by shooting Kennedy goes beyond insane. It goes to the realm of the totally inexplicable and imponderable. Not only did Oswald have no reason to shoot Kennedy; and no benefit from shooting Kennedy, but there is no credible and coherent basis to assume he would derive any satisfaction from shooting Kennedy.

And notice how passionate he sounded in asking for a lawyer. He was imploring the whole world to get him a lawyer. Do you really think that just 18 hours later, when he was offered one, that he just shrugged and said no? I know that's what we've been told, but this is the JFK assassination, and everything weve been told has to be scrutinized and challenged.

And especially if you defend Oswald, if you deny that he killed Kennedy, it is your responsibility to defend his sanity too.

And consider that in the weeks before the assassination, there is no basis to claim that Oswald was focused on Kennedy at all. And he could not have had any expectation of seeing Kennedy. So, theoretically, and we don't know that this happened, if he was browsing the newspaper on, say, the Tuesday, and saw the motorcade route, that he instantly got the compulsion to kill Kennedy? Without any progression? Without any bridge? Without any preliminaries whatsoever?

The plotters knew they had a credibility problem that way, and that's why they conjured up the Walker shooting attempt. But, the credibility of the Walker story is every bit as bad, with the bullet dug out of Walker's window not matching Oswald's supposed bullet, and witnesses seeing two culprits, each driving off in their own car. And Marina was involved too because supposedly she knew that her husband was a homicidal maniac, and yet, she not only didn't inform the police, but she followed him down to New Orleans to live with him, after knowing about it, and also subjecting her daughter to him.

I get it that women have been known to forgive men for violent acts, such as slugging them in a drunken rage. But, shooting at Walker was different because there was no personal connection and no immediate provocation to provide even a rudimentary explanation for it.

And why wasn't Marina charged for failing to report a felony if she knew Oswald had shot at Walker?

But, let's get back to the MPC where Oswald came across as lucid, rational, and sane. He devoted his whole speech to not just pleading for a lawyer BUT PROTESTING THAT THE DALLAS POLICE WERE DENYING HIM ONE. So, after doing that, how could he say no when offered a lawyer? Such a reversal would have been a mental break in itself. Again, there is no basis to think that Oswald was in such a mental state.

The man we hear in the Midnight Press Conference appears lucid, rational, purposeful, and remarkably self-possessed. His known concerns immediately before November 22 appear overwhelmingly directed toward ordinary, rational personal pursuits. There is no clearly demonstrated progression toward killing Kennedy. The alleged route discovery supplies no obvious psychological bridge. The Walker episode is offered to supply that bridge, but itself presents serious evidentiary and behavioral questions. And his urgent demand for a lawyer creates an additional question about the subsequent claim that he rejected legal assistance.

There is something terribly wrong with the story that H Louis Nichols met with Oswald- the real Oswald- who rejected his offer of a lawyer. I am asking you to doubt it, on principle, knowing that Oswald was sane. But then, when you look at the specifics of the Nichols' story, especially the timeline of it, you will realize that it never happened, that Nichols met with someone, but it wasn't the Lee Harvey Oswald of fame.

Thursday, September 10, 2026

 Watch this video of the Midnight Press Conference because it's bizarre.

https://www.youtube.com/watch?v=UxvxgODFxEo

It starts with reporters in the hall. One, with a strong Texas accent, says "we should get a larger room." They are in a hall; not in a room, but that's what he says. Then, another reporter says "How about the Assembly room?" Then another voice says, "All right; let's go down there." But, you don't see any of those figures. It's just their voices, and I suspect it was just added to the footage to concoct it; to fabricate it. It was an attempt to make it look like the reporters organized the Midnight Press Conference- not the cops.

Then it gets to the conference, and you hear a narrator say, "The suspect is coming down the aisle and into the Identification room." But, that may have been added too.

Then, Oswald is led in, and he starts speaking, "I positively know nothing about this siutation here, and I would like to have legal representation."

Then, he said, "I was questioned by a judge, but I protested at that time that I was not allowed legal representation, during that very short and sweet hearing."

Notice that he did not say anything about John Abt or wanting John Abt. And he could not have been protesting that the Dallas Police didn't get him John Abt because they couldn't get him John Abt. All they could do is get him a Texas laywer, and that is what he was talking about.

Now after that, there is jump cut. So, they cut something out; something they didn't want us to hear. The next thing we have is:

"I really don't know what this situation is about. Nobody has told me anything except that I am accused of murdering a policeman. I know nothing more than that, and I do request that someone come forward to give me legal assistance."

Then, a reporter asked him if he killed the President.

"No. Nobody has said that to me yet. The first thing I heard about it is when the newspaper reporters in the hall asked me that question." That implies that the Police never informed him that he was suspected of killing Kennedy. So, why didn't they tell him?

The final thing Oswald said was in response to a reporter who, apparently, asked him about his swollen eye. He said; "A policeman hit me."

But, this version below, supposedly, shows Jack Ruby. At 1:18, it says it's him standing among the reporters, but it is obviously not him. They deliberately made it very dark to obscure it. I lightened it some, and you can still tell that he isn't Ruby.

https://www.youtube.com/watch?v=20gMauCyU0s

But, there is also this version which shows Ruby in the back of the room. Now, that is where Ruby said he was. He said he was on a table in the back of the room. And it does look to be him. It's weird that it starts as a still image and then it starts moving, and I'm not sure that Ruby ever moves.

https://www.youtube.com/watch?v=_JehEBfElhA

So, it may be a still image of him that they added to the film. But, that is him, and it is where he said he was.

But, I have to finish this by pointing out that the whole idea of giving Oswald a press conference makes no sense. Remember: they would not let Oswald have a lawyer, which means they didn't want him talking to a lawyer. So, why would they let him talk to the world? They took a big chance doing that. And therefore, they must have had an ulterior motive, and I think it was to kill him on camera. I can't think of any other ulterior motive. I presume Ruby was not in a spot where they could pin it on him. Consider that the whole press conference only lasted one minute. Why abort it so soon, after going to all that trouble? For one, Oswald was doing them a lot of damage complaining about being denied a lawyer. But, once they realized that the shooting of him wasn't going to happen, they ended it abruptly.

Now, don't tell me they did it to give the press access to Oswald because if they were concerned about that, they would have let it go on for more than a minute.

Wednesday, September 9, 2026

 It is clear to me now that the images of Jean Hill and Mary Moorman in the Zaprduer film are bogus. On the left is a photo of Mary taken late that afternoon, and on the right is a Costella frame from the Z-film.

Note that how we source the Z-film is very important because with Photoshopping and now AI, anything is possible. We have to be sure we don't use something that was tampered with or digitally enhanced. But, we can trust the Costella frames.

1 Mary's raincoat had enormous white buttons, which we don't see in the Costella frame. You could claim one button in 303, but I also included 296 which shows no buttons at all. There is no rationalizing this. The buttons should be visible.
2 Mary's raincoat was extremely long. It appears to go all the way down to her ankles. But, in the Costella frame, it is not that long. On her left side, which is on our right, it only goes a little below her knee.
3 On the left, her coat is wrinkled and looks baggy on her, like it's a a size too big. On the right, it looks sleek, streamlined, and tight-fitting.
4 Mary's shoes in the Zapruder film do not correspond to what we see in the still photo, which is a mocassin-style loafer, although dressier than a mocassin. There is no basis to claim that the Zapruder frame displays Mary's shoe authentically, as seen so clearly and sharply in the still photo. It is another non-sequiter.
5 When we consider the above issues and then add the weird flow of Mary in the Z-film, where she continues to point her cameraa straight ahead even after the Kennedy's have passed her, it makes her entire presence in the film not just questionable but non-credible. I'm not questioning that she was there. Of course, she was. But, the imagery of her that was captured by Zapruder's camera got replaced with the crude imagery that we see in the film.



Monday, September 7, 2026

 Look what I found. This is from the day of the assassination, and Jean Hill said that "We were looking at the President, we were looking at his face. As Mary took the picture, I was looking at him, " Listen to it yourself. You can start at the 5 minute mark.

https://www.youtube.com/watch?v=Rgmr03l4GFI&t=285s

Then, after that, "he grabbed his hands across his chest." I presume she was referred to his repsonse, raising his hands up to his throat. There is nothing else she could have been talking about.

So, it seems that Mary's real picture was taken right after the throat shot, which was followed by his reaction to it.

Like Mary, Jean said that there were several shots after Mary took her picture. Therefore, it had to be taken long before the fatal head shot because that was the final shot, and nobody disputes that.

 Supposedly, in the Zapruder film, Mary Moorman was still looking through her viewfinder when the fatal headshot occurred at 313, and she still waited longer to take her picture. The "experts" tell us that she didn't take it until 315 or 316.

But, Mary never said that. She said the opposite, that she took her photo at the time of the first shot.

And wouldn't she have turned to keep tracking the Kennedys? Why would she keep pointing her camera straight ahead when they had already passed her?

You have to admit that this is a bizarre image, and it is contrary to real life. In fact, is something that we have never seen except here, in the JFK assassination.

So, why didn't Mary turn? First, I'll tell you why she didn't turn in real life, and then I'll tell you why she doesn't turn in the film.

She didn't turn in real life because she finished taking her photo before they reached her, and then she got down on the ground. And she doesn't turn in the Zapruder film because they just added a still image to the film. It wasn't a moving image. So, that image couldn't turn. It's just art- crude, crappy CIA art. It's just a painting. And paintings don't move.

The real images of Jean Hill and Mary Moorman in the Zapruder film were taken out of it and replaced with bogus still images.