No matter who you think Doorman was, he wasn't that cherubic bald 2nd Wiegman Doorman. He's obviously not skinny Oswald on the left, but he isn't Lovelady either.

And that vertically striped, short-sleeved shirt is what Lovelady said he wore that day, and he posed in it for the FBI, as you can see on the right. Next to him is him from the Couch film when he was walking with Shelley to the railroad yard to look around. And it's something that he said he did. It's in his testimony. Read it:

Mr. BALL - First of all, let's get you to tell us whom you left the steps with.
Mr. LOVELADY - Mr. Shelley.
Mr. BALL - Shelley and you went down how far?
Mr. LOVELADY - Well, I would say a good 75, between 75 to 100 yards to the first tracks. See how those tracks goes---
Mr. BALL - You went down the dead end on Elm?
Mr. LOVELADY - Yes.
Mr. BALL - And down to the first tracks?
Mr. LOVELADY - Yes.
Mr. BALL - Did you see anything there?
Mr. LOVELADY - No, sir; well, just people running.
Mr. BALL - That's all?
Mr. LOVELADY - And hollerin.
Mr. BALL - How did you happen to go down there?
Mr. LOVELADY - I don't know, because everybody was running from that way and naturally, I guess---
Mr. BALL - They were running from that way or toward that way?
Mr. LOVELADY - Toward that way; everybody thought it was coming from that direction.
Mr. BALL - By the time you left the steps had Mr. Truly entered the building?
Mr. LOVELADY - As we left the steps I would say we were at least 15. maybe 25. steps away from the building. I looked back and I saw him and the policeman running into the building.
Mr. BALL - How many steps?
Mr. LOVELADY - Twenty, 25.
Mr. BALL - Steps away and you looked back and saw him enter the building?
Mr. LOVELADY - Yes.
Mr. BALL - Then you came back. How long did you stay around the railroad tracks?
Mr. LOVELADY - Oh, just a minute, maybe minute and a half.
Mr. BALL - Then what did you do?
Mr. LOVELADY - Came back right through that part where Mr. Campbell, Mr. Truly, and Mr. Shelley park their cars and I came back inside the building.
Mr. BALL - And enter from the rear?
Mr. LOVELADY - Yes, sir; sure did.
Mr. BALL - You heard the shots. And how long after that was it before Gloria Calvary came up?
Mr. LOVELADY - Oh, approximately 3 minutes, I would say.
Mr. BALL - Three minutes is a long time.
Mr. LOVELADY - Yes, it's---I say approximately; I can't say because I don't have a watch; it could.
Mr. BALL - Had people started to run?
Mr. LOVELADY - Well, I couldn't say because she came up to us and we was talking to her, wasn't looking that direction at that time, but when we came off the steps--see, that entrance, you have a blind side when you go down the steps.
Mr. BALL - Right after you talked to Gloria, did you leave the steps and go toward the tracks?
Mr. LOVELADY - Yes.
Mr. BALL - Did you run or walk?
Mr. LOVELADY - Medium trotting or fast walk.
Mr. BALL - A fast walk?
Mr. LOVELADY - Yes.
Mr. BALL - How did you happen to turn around and see Truly and the policeman go into the building?
Mr. LOVELADY - Somebody hollered and I looked.
Mr. BALL - You turned around and looked?
Mr. LOVELADY - Yes.
Mr. BALL - After you ran to the railroad tracks you came back and went in the back door of the building?
Mr. LOVELADY - Right.
Mr. BALL - Did you go in through the docks, the wide open door or did you go in the ordinary Small door?
Mr. LOVELADY - You know where we park our trucks--that door; we have a little door.
Mr. BALL - That is where you went in, that little door?
Mr. LOVELADY - That's right.

So, the two on the right are Lovelady wearing the same shirt. It's Oswald on the left. And the remaining guy, the 2nd Wiegman Doorman, is nobody. He was just put in there because Oswald left for the lunch room on Shelley's order.

 Now, I am going to show you what the Wiegman film reveals to us about what happened in that doorway. Wiegman did a second pan of the doorway, even though there was a lot happening of major consequence right ahead of him on Elm Streeet. He did that second pan because he heard or saw, through the corner of his eye, a commotion in the doorway. So, what was the commotion.

The commotion was between Bill Shelley and Oswald. Shelley placed himself in the doorway to guard it- to guard it from Oswald coming out and going out into Dealey Plaza. And Oswald did come out. It was about 12:25. Was it his decision to remain on the top platform, or did he want to venture down to the street? We don't know, but if he did try to exit the building completely, Shelley was there to stop him and did stop him.

But then, the press car came, the one with Wiegman and the other photographers, and Shelley freaked out. He could see what was happening, that Oswald was being filmed. So, he must have gone to Oswald and told him to go back inside. He probably ordered him to go to the lunch room, and that was the real reason why Oswald did it. But, Oswald must have put up some resistance. After all, he was on his lunch break. Shelley was his boss, but he had no right to tell him what to do on his off-time. So, there was a disruption in the doorway over that, and Wiegman got wind of it.

So, Wiegman did his second pan of the doorway, and by the time his camera got there, Oswald was gone. Shelley had prevailed. And be aware that this scenario I am describing fits perfectly with the timeline of Oswald and Officer Marrion Baker getting to the lunch room at about the same time. Oswald got there a few seconds before Baker. They came using completely different routes. Baker entered the building and ran to the back and took the northwest stairs up to the second floor, where he saw Oswald pass through the anteroom of the lunch room. Oswald took the elegant stairs in the southeast corner and walked across the second floor to get to the lunch room in the northwest corner.

I can't tell you the exact time that Oswald left the doorway, but it may have been before the fatal head shot. If so, it was just slightly before it. And if it wasn't slightly before it, it was slightly after it. Baker parked his motorcycle on the island which had the traffic signal at the top of Elm. He ran directly across the street, up the stairs, and Truly joined him. They ran to the back of the building; waited a little while for elevator; but when they realized it wasn't operational, they took the stairs. Truly led the way, which makes no sense since they were looking for an armed killer. Shouldn't the armed cop have led the way? But, Truly had gotten up to the 3rd floor before he realized that he had lost the officer. So, he went back down, and he joined Baker and Oswald in the lunch room.

So, Oswald left for the lunch room a little before Baker, but Baker was moving fast while Oswald was walking at a normal pace. And the result was that Oswald got to the lunch room a little before Baker. Oswald did NOT come down from the 6th floor. He came from the office side of the second floor. He walked from the southeast corner to the northwest corner across the 2nd floor, and he never made contact with the steps from the 6th floor.

And if he had come down from the 6th floor, he surely would have run into Truly, who was way ahead of Baker. So, there is NO CHANCE that Oswald came down from the 6th floor, which means that there is NO CHANCE that he shot JFK.

So, what the plotters is add a bogus Doorman to the 2nd pan of the Wiegman doorway.

Many times I have stated that the JFK motorcade films were deliberately blurred, and that includes the Wiegman film. However, even though they have never let us see the unblurred film, they have let us see unblurred frames. I am attaching one of them. It is a frame showing the 2nd Wiegman Doorman, who was nobody. He wasn't Oswald. He wasn't Lovelady. He was nobody.

This bald guy is not Oswald or Lovelady. He is a still image that was added to the film. They sped the film up so much, there is probably just one or a few frames of him. That's how they got away with putting a photo in a movie.

I have got a lot more to say about this. It is solid as a rock, I assure you. Please be patient. Contresswoman Luna is right about the Wiegman film, but she doesn't know the half of it.

 To those who support me that the man who was talking to the cop who was guarding the door appears to be Oswald, think about this: What was Oswald saying to him? He had nothing he could tell the cop about the murder because he didn't know anything. Oswald must have been talking about himself, saying that he was going to leave because they weren't going back to work. And the next thing he did was walk down the steps and walk away- right before the cop's eyes. Apparently, the cop didn't have a problem with it.

So, the whole story that Oswald snuck away is a lie. It is very likely that Oswald told the cop he was leaving.

And the whole "roll call" story is a lie too. There was never a formal roll call. This is from Chat GPT: "There was no formal TSBD roll call. Roy Truly noticed Oswald was absent from the group of warehouse employees gathered or being questioned on the first floor. That observation became the basis for telling Captain Fritz that Oswald was missing."

I think all honest persons will agree that this was no basis to conclude that Oswald was the murderer. And Oswald was not the only employee missing. Charles Givens also wasn't there. He had left. And Frazier said that he after the shooting, he went down to the basement to eat his lunch. And the cop who intereacted with Oswald at the door could have cleared the whole matter up in a jiffy.

It was just minutes before that Truly had brushed off Oswald to Baker. So, why suspect him of murder just because he wasn't observed with other workers a few minutes later?

The story stinks, and you know it. Roy Truly was CIA. The reason he brushed Oswald off to Baker is because they didn't want Oswald to be arrested at the TSBD. They wanted to get him armed and get him into the theater, where hopefully he would die in a shootout with Police. It didn't work out that way, but it almost did. It certainly could have. So, how did they get him armed and into the theater? I can partially explain that, and I will.

 This group is growing leaps and bounds, and I thank all the people who have been supporting me. But, I have also been banning people left and right because I'm not going to debate the JFK assassination with people who support the official story. If that's your spin, just go away. There are plenty of other JFK groups you can join, but you are not welcome here.

Now, I am going to talk about the Dave Wiegman film, which is the one that Congresswoman Luna has been talking about to the Media. Dave Wiegman worked for NBC, and he was in the first camera car, which was 6 vehicles behind the Presidential limo.

The first camera car was a 1964 Chevrolet Impala convertible. So, in November 1963, they had the latest model Chevy Impala., the 1964. It was provided by a Dallas Chevy dealer, Earl Hayes Chevrolet.

We know that he shot 16 mm film that was 24 frames per second, but we don't know the make and model of his camera.

But, I'll point out that there was nothing wrong with cameras then. They didn't shoot blurry footage. They had great film cameras in 1939, which was the year that The Wizard of Oz and Gone with the Wind came out. The Dave Wiegman film is EXTREMELY blurry, and it was deliberately blurred; not while filming, but afterwards.

So, who blurred it? Our government did. I certainly don't think that NBC took it on themselves to blur it. And prior to the age of internet and Youtube, what means did people have to watch the Wiegman film? I honestly don't know.

Congresswoman Luna kept saying that NBC has the Dave Wiegman film that shows Oswald outside. But, the Dave Wiegman film is streaming on Youtube today. So, what's the difference? The difference, I presume, is that she thinks NBC has the Dave Wiegman film unblurred, which we don't have; not on Youtube or anywhere else.

The next thing is to watch at the Dave Wiegman film. There are several postings of it on Youtube. I suggest you watch this one because it is in slow-motion. However, it was put up by the Prayermanites, and I want you to know that I denounce them vociferously because they insist that Oswald WAS in the doorway but not as the Altgens Doorman or even the Wiegman Doorman. Rather, they point to a fictitious figure whom they call Prayer Man, and they say Oswald was him. I tell you that Prayer Man is fictitious, that he was nobody.

The Prayermanites are propagandists. They are noise-makers. Their mission is to make noise to distract from the fact that Oswald was the Altgens Doorman by making a preposterous counter-claim that he was somebody else who wasn't anybody. So, I denounce the Evil Prayermanites, and I ask you to shun them. However, this slow-motion video of the Dave Wiegman film, which they put up, is useful, which is why I am using it.

So, watch this extremely blurry clip from the Dave Wiegman film. What I want you to notice is that Wiegman captured the doorway when his press made the turn from Houston to Elm. At the time, Wiegman was not trying to capture the doorway. He wasn't even thinking about it. He was just riding in the car and capturing the view; whatever was in front of him.

So, his car completed the 120 degree turn from Houston to Elm and then continued down Elm. Then, Wiegman did something very signifcaint: With his camera, he swung around to his right to do a second pan of the doorway. The first pan was just incidental, but the second pan was deliberate. He made the conscious, focused decision to film that doorway a second time.

https://www.youtube.com/watch?v=v7Q88vpIsp4

I'm going to quit now because I want to go about this very slowly. But, I leave you with a question: Why did Wiegman shoot the doorway a second time? The answer is that he must have seen something through the corner of his eye, or heard something, or both, that propelled him to do it. And we'll talk about that next time.

 Roy Truly was in on the murder of Kennedy and the framing of Oswald. When Officer Marrion Baker (who was not in on anything) stopped Oswald in the lunch room, it was Truly who reassurred him that Oswald worked for him and couldn't be the killer. I'm sure it was the words he said and the way that he said them. Truly must have brushed Oswald off as harmless.

But then, less than half an hour later, Truly went to the Police with the information that Oswald wasn't there for the roll call. And that is insane to jump from him not being present at a roll call to being the murderer. And I'm thinking that Truly must have said more than that. He probably told Police the whole story about Oswald renouncing his American citizenship and living in the Soviet Union and marrying a Soviet woman. He must have said something to that effect because it would be insane to suspect him of murder just because he wasn't present for a roll call.

But, it shows you how corrupt Truly was, that he went from brushing Oswald off as "no way it was him" to 20 minutes later, "issue the BOLO."

 Congresswoman Anna Paulina Luna of Florida is the head of the committee Trump appointed to re-examine the JFK assassination. She has been going on television, particularly Fox News, to say that NBC has got the Dave Wiegman film in a condition that shows that Oswald was standing outside during the shooting.

She is certainly right that the Wiegman film shows Oswald standing in the doorway. But, they blurred it to hell in order to obscure him. That NBC still has the unblurred version, I couldn't say. But, this is definitely Oswald in the doorway.

Even when they created the phony footage of Lovelady in a plaid shirt, which involved an imposter, not the real Lovelady, the guy did not have his shirt gaped open like Oswald, and like we see here. The only person the Wiegman Doorman can be is Oswald. And you can plainly see that there was nothing plaid about Oswald's shirt above. It was just a fine grain. It wasn't checkered like the shirt below.

And there is more of great significance about the Wiegman film that I am going to share shortly. It's the Wiegman film that tells us what exactly happened in that doorway.

 That guy at the door talking to the cop is definitely Oswald, and no one should be swayed because the government said it was 1:30 or 2:00 or 2:30, and I've heard all those times. The government lies. It lies all the time. It lies about everything. If you haven't figured that out yet, you're living behind a veil.

The funny thing is that the company line is that that person is a woman. That is ridiculous too. One of the many differences between men and women, in case you don't know, is that men tend to have square, geometric shoulders, whereas women tend to have soft, gently sloping shoulders, which adds to their femininity and charm. That person hsa got the squarest shoulders I've ever seen.

Now, his image is distorted. If you look closely, you can see that his long neck is pixellated. That happens when you enlarge an image excessively. But, his image hasn't been enlarged. He is small in the picture because he is far from the camera. So, there is no excuse for that distortion, and I'm sure it was deliberate.

Just look at the likeness between the shape of the head, the lay of the hair, the length of the neck, the slenderness. What, do you think that we live in a world of coincidences? That is not Billy Lovelady, by the way. Lovelady was inside the building at the time. So, you think there was another guy besides him who looked and dressed like Oswald? No, no, no. The likeness that we see is due to the fact that that is Oswald.

The Dallas Police were inspecting the box cars even beforre the motorcade arrived. James Jarman said that when he and Harold Norman walked down Houston Street to reach the back door of the building, that they saw police swarming the box cars in the railway yard. That was at 12:20. So, Dallas Police having custody of these three tramps at 12:34 is not a stretch.

He does look eerily like Oswald. There were only 33 employees at the TSBD. That guy had to be one of them. Why else would he be up there? So, anyone who wants to fight this needs to get the list of 33 employees and go through it. See if you can find another employee who looked like him. There was only one: Lee Harvey Oswald.

Who are you going to believe? Officialdom, or your own eyes?