Oswald in the doorway: the blog of the Oswald Innocence Campaign, by Ralph Cinque

These two frames, from Hughes and Towner, were taken at the exact same moment. It was when the Presidential limo passed the TSBD entrance.

It was bright and sunny. So, why is Towner on the right so dark? Where are the people? Why does the entrance look like a black curtain? 

There is no explanation for this. There are no talking points that can account for the difference, at least, not credibly. They blackened out the Towner doorway, period. It was their way of dealing with Oswald in the doorway. They did other shenanigans in Hughes on the left, namely, getting the 11 year old girl and the street signs massive enough to block the view. 

You think those streets signs would loom that large in the doorway, do you?

Well, notice that the signs aren't that high.

A person standing on the pedestal would be higher, right? And remember that in a two-dimensional photograph, distance from the photographer registers as height in the photo.  If something is farther away from the camera, it appears higher in the picture. Therefore, the girl on the pedestal should be higher in the picture for two reasons: because she was, in fact, higher and because she was farther away from Hughes. So, why are the signs higher than she is?

If you look closely, you can see the top of her mother's head in front of her. So, the signs are looming much higher than her as well. But, it makes no sense because the mother standing on the pedestal was surely higher than the street signs.

And, she was more distant from Hughes' camera. What we see below just doesn't make sense. 

So, in Towner, they took the easy route and just blackened out the doorway, which took out Oswald and everyone else. No muss, no fuss. But, in Hughes, they went for a much more elaborate and diabolical scheme involving phony obstructions and a phony Doorman, whom they couldn't even keep his head on, which fades in and out. 

The headless Doorman? Was Lovelady's head having visibility problems that day? What it means is that the JFK assassination is a cesspool of photographic crime. It is the most photographically altered event in the history of humanity.