Oswald in the doorway: the blog of the Oswald Innocence Campaign, by Ralph Cinque

Hello,

I noticed something in the Three Shots That Changed America footage featuring ‘Lovelady’.

If you look closely when the cops enter the room you can see the fronts of all of the lockers on the back wall. No one is sitting there.

Note the lowest vent you can see on the lockers.

‘Lovelady’ only appears after linebacker moves out of frame, and he obscures the lockers well above the lowest vent seen in the first frames.

Linebacker was used as a splice-point because he conveniently blocked the entire frame. It’s a transitional technique used in film all the time to seamlessly and artfully change scenes.

I didn’t see this noted in the presentation.

Hope this helps

Best,

J