Oswald in the doorway: the blog of the Oswald Innocence Campaign, by Ralph Cinque

 Now, I am going to show you what the Wiegman film reveals to us about what happened in that doorway. Wiegman did a second pan of the doorway, even though there was a lot happening of major consequence right ahead of him on Elm Streeet. He did that second pan because he heard or saw, through the corner of his eye, a commotion in the doorway. So, what was the commotion.

The commotion was between Bill Shelley and Oswald. Shelley placed himself in the doorway to guard it- to guard it from Oswald coming out and going out into Dealey Plaza. And Oswald did come out. It was about 12:25. Was it his decision to remain on the top platform, or did he want to venture down to the street? We don't know, but if he did try to exit the building completely, Shelley was there to stop him and did stop him.

But then, the press car came, the one with Wiegman and the other photographers, and Shelley freaked out. He could see what was happening, that Oswald was being filmed. So, he must have gone to Oswald and told him to go back inside. He probably ordered him to go to the lunch room, and that was the real reason why Oswald did it. But, Oswald must have put up some resistance. After all, he was on his lunch break. Shelley was his boss, but he had no right to tell him what to do on his off-time. So, there was a disruption in the doorway over that, and Wiegman got wind of it.

So, Wiegman did his second pan of the doorway, and by the time his camera got there, Oswald was gone. Shelley had prevailed. And be aware that this scenario I am describing fits perfectly with the timeline of Oswald and Officer Marrion Baker getting to the lunch room at about the same time. Oswald got there a few seconds before Baker. They came using completely different routes. Baker entered the building and ran to the back and took the northwest stairs up to the second floor, where he saw Oswald pass through the anteroom of the lunch room. Oswald took the elegant stairs in the southeast corner and walked across the second floor to get to the lunch room in the northwest corner.

I can't tell you the exact time that Oswald left the doorway, but it may have been before the fatal head shot. If so, it was just slightly before it. And if it wasn't slightly before it, it was slightly after it. Baker parked his motorcycle on the island which had the traffic signal at the top of Elm. He ran directly across the street, up the stairs, and Truly joined him. They ran to the back of the building; waited a little while for elevator; but when they realized it wasn't operational, they took the stairs. Truly led the way, which makes no sense since they were looking for an armed killer. Shouldn't the armed cop have led the way? But, Truly had gotten up to the 3rd floor before he realized that he had lost the officer. So, he went back down, and he joined Baker and Oswald in the lunch room.

So, Oswald left for the lunch room a little before Baker, but Baker was moving fast while Oswald was walking at a normal pace. And the result was that Oswald got to the lunch room a little before Baker. Oswald did NOT come down from the 6th floor. He came from the office side of the second floor. He walked from the southeast corner to the northwest corner across the 2nd floor, and he never made contact with the steps from the 6th floor.

And if he had come down from the 6th floor, he surely would have run into Truly, who was way ahead of Baker. So, there is NO CHANCE that Oswald came down from the 6th floor, which means that there is NO CHANCE that he shot JFK.

So, what the plotters is add a bogus Doorman to the 2nd pan of the Wiegman doorway.

Many times I have stated that the JFK motorcade films were deliberately blurred, and that includes the Wiegman film. However, even though they have never let us see the unblurred film, they have let us see unblurred frames. I am attaching one of them. It is a frame showing the 2nd Wiegman Doorman, who was nobody. He wasn't Oswald. He wasn't Lovelady. He was nobody.

This bald guy is not Oswald or Lovelady. He is a still image that was added to the film. They sped the film up so much, there is probably just one or a few frames of him. That's how they got away with putting a photo in a movie.

I have got a lot more to say about this. It is solid as a rock, I assure you. Please be patient. Contresswoman Luna is right about the Wiegman film, but she doesn't know the half of it.