Oswald in the doorway: the blog of the Oswald Innocence Campaign, by Ralph Cinque

 It is clear to me now that the images of Jean Hill and Mary Moorman in the Zaprduer film are bogus. On the left is a photo of Mary taken late that afternoon, and on the right is a Costella frame from the Z-film.

Note that how we source the Z-film is very important because with Photoshopping and now AI, anything is possible. We have to be sure we don't use something that was tampered with or digitally enhanced. But, we can trust the Costella frames.

1 Mary's raincoat had enormous white buttons, which we don't see in the Costella frame. You could claim one button in 303, but I also included 296 which shows no buttons at all. There is no rationalizing this. The buttons should be visible.

2 Mary's raincoat was extremely long. It appears to go all the way down to her ankles. But, in the Costella frame, it is not that long. On her left side, which is on our right, it only goes a little below her knee.

3 On the left, her coat is wrinkled and looks baggy on her, like it's a a size too big. On the right, it looks sleek, streamlined, and tight-fitting.

4 Mary's shoes in the Zapruder film do not correspond to what we see in the still photo, which is a mocassin-style loafer, although dressier than a mocassin. There is no basis to claim that the Zapruder frame displays Mary's shoe authentically, as seen so clearly and sharply in the still photo. It is another non-sequiter.

5 When we consider the above issues and then add the weird flow of Mary in the Z-film, where she continues to point her cameraa straight ahead even after the Kennedy's have passed her, it makes her entire presence in the film not just questionable but non-credible. I'm not questioning that she was there. Of course, she was. But, the imagery of her that was captured by Zapruder's camera got replaced with the crude imagery that we see in the film.