Oswald in the doorway: the blog of the Oswald Innocence Campaign, by Ralph Cinque

 Supposedly, in the Zapruder film, Mary Moorman was still looking through her viewfinder when the fatal headshot occurred at 313, and she still waited longer to take her picture. The "experts" tell us that she didn't take it until 315 or 316.

But, Mary never said that. She said the opposite, that she took her photo at the time of the first shot.

And wouldn't she have turned to keep tracking the Kennedys? Why would she keep pointing her camera straight ahead when they had already passed her?

You have to admit that this is a bizarre image, and it is contrary to real life. In fact, is something that we have never seen except here, in the JFK assassination.

So, why didn't Mary turn? First, I'll tell you why she didn't turn in real life, and then I'll tell you why she doesn't turn in the film.

She didn't turn in real life because she finished taking her photo before they reached her, and then she got down on the ground. And she doesn't turn in the Zapruder film because they just added a still image to the film. It wasn't a moving image. So, that image couldn't turn. It's just art- crude, crappy CIA art. It's just a painting. And paintings don't move.

The real images of Jean Hill and Mary Moorman in the Zapruder film were taken out of it and replaced with bogus still images.