Oswald in the doorway: the blog of the Oswald Innocence Campaign, by Ralph Cinque

The Mark Bell film conveniently has a huge tree blocking the view of the doorway right when Oswald was in it. So, I have to wonder: did they do something with it? Because if they didn't, then they sure got awfully lucky that in yet another film, the Oswald-filled doorway was visibly obstructed. 

But, I am posting a series of frames from the Bell film to show the lush, green, verdant, lavish, luxuriant, overgrown tree to see if you might want to consider that they messed with it. 

Is the Mark Bell film yet another altered film? 

What I can tell you is that it is yet another film that would have shown a nice close-up of the doorway when Oswald was in it if not for a visual obstruction, in this case, a tree. 

Ah, that's a shame. We would have had such a good view of the doorway if it wasn't for that damn tree.

But, later on, after he returned to work at the Postal Annex, Mark shot a little more film- his post assassination footage. Robin Unger has the frame below listed as Bell10, but I have a feeling it's out of sequence. It seems to be taken from a high elevation. Plus, it's not the motorcade, so it had to be before or after, and probably after because there are a lot of cops around; you see them directing traffic, and there are cars parked in front of the doorway. Also, I have to wonder if this frame was photoshopped because the colors seem awfully vivid. Look at all those blue cars.  

And Robin Unger doesn't have the frame below at all in his 208 frame collection from Bell. 

Hey, Robin Unger! How come you don't have the above frame in your collection of Bell frames on your site? It would seem to suggest that the tree was not in the way of capturing that doorway.