Oswald in the doorway: the blog of the Oswald Innocence Campaign, by Ralph Cinque

This is a strange weird picture. How is it that Ruby got that close without getting into the visual fields of Oswald and the two detectives, and I mean as a moving object in their visual fields, such that they would automatically look at him? And look at the guy on the far left. He seems to be looking at Ruby, but why isn't he reacting? What was the purpose of having those guys there on the left? An attacker couldn't come out of the wall. An attacker could only come from the side from which Ruby came. For the last two hours before this, they kept saying on the radio how worried the Dallas police were that someone from the public was going to take matters in his own hands. So, why weren't Leavelle and the other detective scanning, looking, roaming with their eyes? What was the point of just looking straight ahead?