Oswald in the doorway: the blog of the Oswald Innocence Campaign, by Ralph Cinque

Regarding what the Zapruder film shows, it isn't much, but I'll show you what there is.

Above, we aren't seeing the east pedestal there, but I wonder if we should see Toni and her mother projecting upward from it if they were there? I'm not sure we should, but I am wondering.

This is a subsequent frame with the limo in view on Elm. Again, I realize that the pedestal is out of view, but should we be seeing the Glovers or a portion of them hovering above in the upper right corner? Again, I am not certain that we should, but I am wondering if we should.

Is that the back of Toni behind the monument? I seriously doubt it. I suspect that's the shoulder of a man who was standing on Houston Street. First, this is a color film, and Toni was in blue; light blue. Does that look blue? There is a lady in dark blue a few persons down to the right. So, blue registered. But also, what are we seeing there? First, look at the big picture.

So, you have the reflecting pool with the arched wall, each side of which is punctuated by a pedestal. Then you have a walkway. So, there's a sidewalk on one side and a walkway on the other side. And then you have a monument or obelisk. I've seen both terms used. And then on the other side of the monument, there is another pedestal, which we see in Zapruder. 

So, the pedestal that is clearly in view there is not one of the pedestals associated with the archway of the pool. It's behind the monument. And on the right, that is a separate wall. So, it is very dubious to claim to say that the shoulder next to the monument is that of Toni Glover. 

The bottom line is that we can't see much in the Zapruder film, but it certainly cannot be used to substantiate the Glovers being on the pedestal. That isn't seen, nor can it be inferred.