The Coloring Award means an awful lot to me because some of our night scenes were shot "day-for-night", and we had to color them to make them look like night, and it is extremely difficult. We ended up hiring a Disney colorist, Michael Luceri, who was like a relief pitcher, put in to save the game. And he explained that we pushed the limits because you should only shoot "day-for-night" at dawn or dusk not in the middle of the afternoon in blazing Texas summer. So, it was a very big task to get those scenes looking decent.
I am just going to put up the one laurel for Best Coloring along with a screenshot that was taken in blazing afternoon sun. Not bad, huh?
This was shot around 2 PM in late July in Central Texas, with blazing sun and blue sky.
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