Saturday, March 29, 2014


This is the one clear frame from the Wiegman film, but it doesn't occur in the movie. You don't get to see it that good in action. They just delivered it to us that good as a still frame through their agent, Robin Unger. 

But, the fools should have realized that once they showed us that A frame existed of this clarity, it meant that they had it that good for the entire film- or at least the part in which Wiegman was riding slowly and steadily in the car.

And make no mistake: Wiegman was definitely still aboard the car at this point.  Don't listen to that Idiot Joseph Backes who thinks Wiegman was running in the street.  

But, you should also know that this clear frame was cropped. Here it is extracted from the film by me. 



So, they cropped it. They cropped it but were sure to leave Doorman in because that was the main point they were selling with the clear frame: that Doorman was still there, that he hadn't gone anywhere. 

But, he had gone somewhere. Oswald had already left for the lunch room at that point. There was no one standing in Doorman's spot. They put that Cigar Store Indian in there to make it look like Doorman was still there. He wasn't standing like that at a time like that; nobody would. The Idiot Backes says that he had already begun the mourning process for Kennedy. Idiot. Idiot. Idiot. 

But, what the heck is going on to the east of that implanted figure, the Cigar Store Indian? Why is it so blurry over there?  What was going on over there? Was there a commotion? Is that what caught Dave Wiegman's attention causing him to swing the camera around to do the second pan of the doorway? 

Well, whatever it was, they didn't want us to see it. They cut it out. They just wanted us to see Doorman, showing us that he was still there, standing arrow straight, unencumbered by the weight, of all those hustlers and their schemes; he stood proud; he stood tall; high above it all; he still believed in his dreams.



But, he wasn't there. He doesn't even look like the original Doorman. 


These were two different men.  The Doorman on the left was the real Doorman, and he was Lee Harvey Oswald. There is no telling who the guy on the right was, but I doubt it was Billy Lovelady. 

These Nazi propagandists are messing with our heads. Don't let them have sway over yours. 


  

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