Monday, November 30, 2020

This Ruby certainly has less hair than the one in police custody. He also is nowhere near as heavy as the gunman in the Jackson and Beers photos. Erik 

Ralph Cinque: Erik, the Ruby in police custody had no more hair than this guy because he was that guy. They altered his images, like crazy, to hide the fact that he was bald on top. And they did that because the Garage Shooter seemed to have so much thick hair. It was actually a toupee worn by James Bookhout. 

But, you certainly are right about the rest, Erik. And that is the real Jack Ruby. It was taken at the DPD before or after the Midnight Press Conference. So, either very late Friday or very early Saturday morning, and probably the latter. He wasn't this short chubby guy.

So, what are people going to do when they look at this, Erik? Are they going to continue to cling to the ridiculous idea that Ruby shot Oswald? In spite of this? That's insane. 

This is a dealbreaker. Ruby was NOT the Garage Shooter. If that causes people discomfort, that's tough. This isn't about your comfort. It's about determining the truth. And the truth is that Jack Ruby was a witless patsy. He was so out of it mentally, he was less competent than a child. The DPD manipulated Ruby into thinking that he shot Oswald, but he didn't. And then, a long phony narrative was writen about Ruby, that he was Mafia, that he was a bagman for Al Capone, that he was a gunrunner in Florida and Louisiana, that he was an infiltrator of Communist groups for Richard Nixon, etc. etc. etc., ad nauseum. You could write Ruby's real biography on a cocktail napkin. From early life in Chicago to the Air Force during the war to Dallas after the war to run nightclubs, and that's about it, except for the part we don't know about, which is: how did he get picked for this? I mean to become essentially an MK-ULTRA subject, which is what he was. 


I have in an interesting situation going on in the editing of my second film, His Stretch of Texas Ground. An element was left out of a scene, and it is needed. So, we went back and shot it except we had to use surrogate actors. The clip only lasts a few seconds, but will viewers buy it? Will they accept the surrogates as the same characters who precede and follow? 

I give it a resounding yes, and it's because of my experience in the JFK world. If people can believe that these two guys are the same man, they can believe anything. It is a belief that is based on thought and not on sight. It's because they want to believe that he is Jack Ruby that they do. 

Well likewise, in the film, viewers will want to believe the intervening characters are the same persons. They're dressed the same; they have their hair the same; and they are about the same age, same size, etc. I dare say the likeness of my replacement actors to my original actors is greater than that between Jack Ruby and James Bookhout. And yet, people have, for over half a century, accepted that Bookhout was Ruby. 

And that's why I am confident that most viewers will buy what we're selling, and it will fly right over their radar. And again, it's all because people accept the crappy thought that these two are the same man. Ruby had a much longer neck. Look at the distance between his hairline and his collar. 







Chris Crichton: 


So, do you think the man who shot Oswald was not Ruby? I have always thought he was not Ruby. Too stocky, and his neck is too thick. His hair is black and too thick. I don't think he's Ruby. Lately, I've been hearing people say the same thing.

Ralph Cinque:

Chris, you put that very well. You're damn right, he's not Ruby. And it only goes to show that people look with their minds, not their eyes. They see what they want to see, and not what is in front of them. There is no excuse for anyone to continue to believe that Ruby was the Garage Shooter.

Saturday, November 28, 2020

Before we talk about LC Graves and the Garage Shooter, let's talk about peripheral vision. It refers to your indirect or non-central vision. Do you know how panoramic your visual field is? It's almost 180 degrees. It's 170 to be exact. And that includes the combination of your central vision and your peripheral vision. Some maps show at as a full 180 degrees.

Now obviously, your vision is not as focused in the periphery. But, it's actually more effective at seeing objects in the dark because of the abundance of rods in the peripheral retina. And, peripheral vision is also very sensitive to moving objects, which the Shooter was. So now, let's look at LC and the Garage Shooter, who was not Jack Ruby but James Bookhout.


So, there you see short shooter, whom we'll call Shorty, on our right, who was decidedly shorter than Oswald, while Jack Ruby was the same height as Oswald, 5'9". But, can Graves see Shorty? Yes, he can. Shorty is definitely within Grave's visual field. And it isn't even close. Remember what I said: at least 170 degrees, which is practically a half-circle. If we  start at the extreme of Grave's peripheral vision on the other side, Shorty is probably at about 135 degrees, which is well less than 170. And even if I'm off a little, there is no way he was at 170. Plus, the Shooter was moving, which made him even more visible and detectable to Graves. 

So, it's not that Graves couldn't see him; it's that Graves was pretending not to see him. And Graves continued to pretend not to see him until the shot, which was a blank, went off. How certain am I of that? I am 1000% certain of it. It's not even open for discussion. Unless Graves had an ocular disease, and there is no reason to think that he did, he could see the Shooter, and what we are seeing here was an act.  

The shooting of Oswald in the garage was a joint operation of the DPD and the FBI, and it was pure theater. It was all an act. Oswald was shot afterwards in the jail office. 

Tuesday, November 24, 2020

After winning Best Humanitarian Feature at the Austria International Film Festival, they have awarded us the Best Thriller award as well.  


I am very pleased about this, and for all the awards that My Stretch of Texas Ground has won, and for one reason: because it is an anti-war movie, and the only anti-war feature film of the 21st century. Do you have any idea how evil the post-9/11 wars have been? Do you have any idea how many human beings your government has killed since 9/11? Are you aware that in Iraq alone that over one million people were killed? A million people. Imagine driving through the neighborhood of a million people. Now imagine it still and lifeless, with no signs of human life, and no signs of any life, except maybe some stray dogs barking. That is what we wrought with our God-awful war.  Do you care?  Well, if you don't care, then please do me a favor: don't read my blog, and don't watch my movie.    


Monday, November 23, 2020

Yesterday, November 22, was the 57th JFK anniversary, and there was hardly any coverage. And I am just assuming there was some. I didn't actually see any. When I had the television on looking for it, I didn't find anything. And I didn't see anything online either among the headlines. 

I think it was decided that after the 50th, they were going to retire JFK commemorations. We'll see what happens on the 60th, but I wouldn't expect much. 

It's interesting because 9/11 is still recent enough that there is still a lot of fanfare every year, commemorating the plane that disappeared into the ground in Pennsylvania, and another that disappeared inside the Pentagon, and towers that suddenly collapsed straight down, their steel girders not just weakened and softened, but actually rendered molten, that is to say: liquified. That Americans believe all that stuff is testament to the failure of government schools to teach people how to think. I dare say that Americans have become like Jack Ruby. I wonder if they could be talked into believing they shot somebody if the government and media told them that they did? 

However, another reason for ignoring the JFK anniversary may be what's going on in the world, and I mean the Plandemic as well as the post-election turmoil and uncertainty. January 20 is going to roll around a lot sooner than you think. I don't doubt that there was massive fraud in the election, but Trump is on the wrong side of history. It doesn't matter. The fact is that the message is going out loud and clear to the institutions and individuals involved that Biden won and Trump lost; and that's the talking point memo.

Then, we just went through the Summer of Hate, and what I believe to be planned racial incitement, and as everyone now knows, all cops are racists, and we need to defund the police. Does that mean they are going to take Blue Bloods and Chicago PD off the air? Because who wants to watch racists, right?

Anyway, the point is that this is a very strange and unprecedented time. And although most people have the naive and childish notion, that pretty soon there will be a vaccine for everybody, and then life will return to normal, and we'll rejoice in the wonder of medical science.  But again: government schools, the inability to think, etc. 

But, what is the state of the JFK truth movement? I think it's probably true that more people do not accept the official story than ever before. Certainly the preponderance of books on the JFK assassination dispute the official story. And around the world, people laugh about it. They think Americans are dense and stupid for believing the official story, that is, those that do.

Doubt about the official story of the JFK assassination is widespread and growing.. It doesn't mean that the official story is going to die any time soon, but that it is going to die is certain. 



  

  

Sunday, November 22, 2020

Here's how the bok choy looks when it's finished. It cooks fast, in just a few minutes. Then, I just lace it with some sesame tahini and then sprinkle some garlic powder on it, and that's it. It doesn't need salt. And it is good eating. Loaded with vitamins and minerals.



I just picked some bok choy tonight from my garden, which I am going to fix for myself tonight. I tell you, this is what sustains me to do the things that I do. The strength, the power, and the energy of bok choy! Be afraid, enemies. Be very afraid.



Jacob Blake was shot 7 times in the back and survived? That's 7 bullets. 1, 2, 3, 4, 5, 6, 7 Lee Harvey Oswald. was shot with 1 bullet, and it killed him. He died from hemorrhaging as a result of 1 bullet. Jacob took 7 in his core and survived? I just don't buy it. I can't.


Here is the EMS guy taking the carotid pulse of George Floyd and working around the cop who is kneeling on his neck. He does nothing to get the cop off him. After that, he casually left and came back with a gurney, but he was in no hurry, and he seemed to have no intention of trying to resuscitate him. But, the reports said they worked on George Floyd, hurriedly and heroically, for an hour before giving up and declaring him dead. But, when did they start? For a person who is in cardiac arrest, every second counts. They wouldn't have waited. They would have started working on him right there on the ground. But, if you watch the footage, they were slow. They acted like he was already gone, like they were going to do nothing but transport him to the morgue. That's how it looks. So, when were they going to start trying to save him?

I can't help but feel that the Summer of Hate we just went through was as planned as the Plandemic.



Friday, November 20, 2020

 

WINGGULLSEAGULL
All over the country people saw this photo at the time & asked how Oswald could be on the 6th floor if he's standing by the doorway outside as the motorcade turned on Elm St just seconds before the shooting .Oswald's co- worker Buell Wesley Frazier said it's Billy Lovelady a co-worker who was short & stocky & Oswald was thin. If it was Oswald then it explains why he was able to get to the 2nd floor break room 90 seconds after the shooting when police officer Marrion Baker saw Oswald. He looks more like Oswald than Billy Lovelady. That would prove Oswald's innocence.
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Ralph Cinque
You're right, and the timing works perfectly for Oswald to have left the doorway when he did and get to the lunch room when he did. And we know when he left the doorway because in the Wiegman film, first he's there, and then he's not, so he must have left. It was probably before the last shot and before most people were aware that Kennedy had been shot. Oswald went inside. He turned right past the double doors to the stairwell which had these elegant stairs that went up just one flight. He walked across the second floor to the opposite corner, so he went from the northeast corner of the building to the southwest corner, which was where the lunch room was. And he got there just a little ahead of Officer Baker. Baker saw him in the vestibule as he was entering the lunch room. And so Baker followed him, and the rest is history. Oswald was definitely in the doorway. Lovelady was the guy with two hands visoring his eyes. His face is blackened out because they blackened it. And they did that because he was Billy Lovelady.


Wednesday, November 18, 2020

In this video, you can hear Will Fritz say that Oswald "started for the picture show, where he encountered the officer that he killed." 

https://www.youtube.com/watch?v=p-LrxdQbJog&feature=emb_logo 

I don't think he meant that Oswald killed the Officer in the theater. I think he meant that he killed the officer on the way to the theater.

However, I definitely think it implies that Oswald was going to the theater, that that was his destination, and I don't see how anyone could take it any other way. 

Yet, when you look at the map, it doesn't make sense because if Oswald was heading to the theater, he would have walked down Beckley to Jefferson and turned right.


The T designates 10th and Patton, where Tippit was shot. The A desgnates the alley nearby, which was used by the cops that showed up. And the X shows where another map got it wrong. But, as you can see, the T is nowhere near the route that Oswald would have taken had he been going to the theater. 

This is important because, as far as I know, none of the written reports say anything about what Oswald said about how he got to the theater. And another thing that's important is that Fritz' statement implies that Oswald walked to the theater. Obviously, if Oswald said he was driven there, and Fritz left that out, it would be duplicitous. 

But obviously, even if you are going to accept the official story, you have to believe that Oswald was heading somewhere else. So, where was he headed?

I did a Google search of that because I always like to see what's being spewed. 

This is from Slate magazine, an dthey say that Oswald was in an "aimless walk." They suggest he was "in a daze." 

https://slate.com/news-and-politics/2013/11/lee-harvey-oswalds-final-steps-where-jfks-killer-walked-after-the-shooting.html 

That is incredible. When have the actions of a criminal ever been attributed to an "aimless walk"? 

On History.com, they quote Professor John McAdams who said essentially the same thing, that Oswald was "improvising."" He was just walking around Oak Cliff trying to decide what to do before the police caught him." 

What an idiot McAdams is. It's a sad thing to realize that his feeble mind was directing college students. Really, what a pin head. 

That same article quotes Gerald Posner and Max Holland, who both cite David Belin, who suggested that Oswald was heading to Mexico because he had just enough money in his pocket to buy a ticket. Belin said that Oswald was just 4 blocks away from picking up the Route 55 bus which would have taken him to Lancaster Avenue where he could have boarded a southbound Greyhound bus, which after several connections, could have taken hiim to Monterrey, Mexico, and from there the long ride south to Mexico City. 

So, just think: on the basis of finding a circuitous bus route that could have taken him to Mexico City, and note that there were circuitous bus routes that could have taken him anywhere in North, Central, or South America, Belin was willing to attribute that to Oswald. The irony is that Oswald never even went to Mexico City the first time, never mind an entirely imagined second time.  

https://www.history.com/news/lee-harvey-oswald-plan-chaos-or-conspiracy

Note that most narratives just glass over what Oswald was doing at 10th and Patton. They don't try to explain it. They just ignore it, like the 9/11 Commission ignoring the collapse of Building 7. 


Tuesday, November 17, 2020

On Thursday, I will be doing something I have never done before: talk about my work at large concerning the JFK assassination.  I won't be pouring over images. There will be images involved; just speech. They want me to talk about it in a broad perspective, addressing what I think are the most important finds that I have made. 

So, this is in preparation for that. As you may know, I have been involved in many aspects of the JFK assassination, but if I had to pick the one that I think is most important, it is Oswald in the doorway.  

And that's because being in the doorway was Oswald's alibi, and like any defendant who pleads not innocent, his alibi would have been the cornerstone of his defense if he had gone to trial. 

And that's why it amazes me that there are people who claim to defend Oswald who have no interest in his alibi. They think that establishing it is unimportant. But, these people are not really Oswald defenders; they are conspiracy theorists. Their interest is in disputing the official story and establishing conspiracy, such as Dr. Cyril Wecht. And he has stated publicly many times that he has no interest in defending Oswald. His interest is multiple shooters and conspiracy. 

Ironically, no defender of Oswald, including his lawyer, would have any interest in that. He wouldn't waste time trying to refute the Single Bullet Theory. Who cares about it when it can be established with certainty that Oswald didn't take any shots; that he did not order, own, or have a rifle; and he wasn't on the sixth floor at the time? 

The other thing about Oswald being in the doorway in the Altgens photo is the lengths they went to hide that fact. The subterfuge they engaged in, starting with altering the Altgens photo and lying about its timeline and handling, and then the nefarious coverage of it, first by the Warren Commission, and then by the HSCA. We are talking about pure, unmitigated evil by agencies of the government. The depth of the chicanery and the duration of it is astounding, where phony film footage was being concocted well into the 21st century. With it, we have witnessed a frightening degree of corruption, and what is surely the obstruction of justice.   

So, what is next after Oswald in the doorway? Without a doubt, it is my work establishing the innocence of Jack Ruby. And that stands alone; I don't add that James Bookhout was guilty. He didn't shoot Oswald. Bookhout was just an actor- playing the role of Jack Ruby in a theater production. Oswald was shot inside the the PD afterwards. 

But, the framing of Jack Ruby was probably the most Machiavellian endeavor in the case. It was so manipulative, and I don't mean just manipulating Ruby, but manipulating the public. And it was a very elaborate manipulation, complete with a long false narrative of Ruby's life, that he was a Mafioso, a gunrunner, a hit man, a pimp, and he was even a spy for Richard Nixon trying to penetrate the Communist underworld. It's all nonsense. You could write Ruby's whole life story on a napkin.

But, there is a big difference between the framing of Oswald and the framing of Ruby. In Oswald's case, doubters surfaced immediately, and I mean the very day, such as Vincent Salandria and Mark Lane. I don't know how far behind Harold Weisberg was, but it wasn't much. Note that two of them were Jewish, and one of them (Salandria) was married to a Jew. So, so much for the idea that disputing the JFK assassination is anti-Semitic. 

But, in Ruby's case, NOBODY doubted that he did it. And the people who questioned it did so on the basis that Ruby was even MORE guilty that he was supposed to be. They had him playing a role in killing Kennedy and shooting Oswald to silence him. That had to be music to the ears of the real killers. The skeptics were doing their work for them- making Ruby look bad. They were going in the exact opposite direction from the truth, which was that Ruby was innocent; he conspired with no one; and he was a very kind, gentle, loving man who did not have a mean bone in his body. He was childlike- that's how innocent he was. 

Ruby was also so very helpless, and that's why framing him was such a cruel act. They took stark advantage of a handicapped person. And I do believe that ultimately, they killed him. His death sentence came when he won a new trial because they were not going to go through that again. It was too risky. His defense team may have wised up when they looked at the evidence a second time, especially the photos and films. 

Discovering that Mary Mooman did not take the Moorman photo was a very big thing. The person who took that photo was standing at a diagonal to the limousine, and a professor of physics determined that, with a specialty in Optics. From the first day, and every day since, Mary Moorman claimed to take her photo squarely, when the Kennedys were directly across from her. And it doesn't really make sense either because Mary had been waiting for hours, and she had a lot of lead time as the limousine slowly rounded the curve and slowly descended the hill. She starte looking through her viewfinder very early. So, why wait until the Kennedys were across from her? She could have taken it a little before they reached her and that way, she would have captured their faces, which is a much more interesting view than a profile. But, even that is a moot point because the fact is that we see the back of their heads in the Moorman photo. Now, who would wait hours to take their picture and then capture the back of their heads? Nobody. The Moorman photo was taken by the Babushka Lady, and no doubt they cropped the picture she took and then converted it to a Polaroid. Why did they do it? It must be because Mary's photo contained something that they didn't want people to see. And I don't mean an obscure shooter in the background because they could have easily taken care of that and gotten rid of it. I'm talking about something in the limo. 

A great many people have pointed to Zapruder film alterations, but I feel very strongly that I found something that the others missed.  And that is that a large swath of the film was cut out to hide the fact that JFK was hit in the back high on the hill. You know about the Single Bullet Theory, and plenty of people reject it. But almost universally, they have assumed that there were two separate shots that were simultaneous or nearly so. They were not. The back shot came long before the throat shot. JFK got hit in the back a small split-second before the Croft photo was taken. That's because he was reacting to the back shot in the Croft photo. But, Croft was as photo, and we are talking about a film, the Zapruder film. So, they cut out the section on the Z-film that went from just past the obelisk to where the Stemmons freeway sign was. And as a result, when you watch the Z-film, the Stemmons freeway sign comes into view high on the hill. JFK gets a little past the TSBD, and he's instantly at the Semmons freeway sign. They cut out that whole section, and it was the steepest part of the hill. JFK must have had a very weird look on his face, and he must have seemed very detached. They got rid of all that, and it became that he was waving and smiling as he disappeared behind the sign and then, he was reacting to being shot when he emerged from behind the sign in a panic. It was like a magician's trick. 

"Look at Kennedy. He is smiling and waving. He must not be shot yet. Now, he has disappeared behind the sign. I wonder what is going on back there? Oh, I see, he must have been shot because now he is reacting bizarrely, and he is in a tizzy. So, it all happened behind the scene." 

That is the story of the Zapruder film, and it is totally fabricated. This is a much bigger deal than that they removed the slowing and stopping of the limo by deleting frames.

I'm very glad that the JFK community has embraced Zapruder film alteration in a big way. It seems that almost all the researchers who defend Oswald say that the Z-film was altered. But, what they need to realize is that ALL the films were altered. I found alterations in the Hughes, Bell, Towner, a ton in Wiegman, including altering Oswald's capture in the doorway there, Nix, Muchmore, Dorman, Couch, Martin, and more. They all wound up in government hands, and they were all altered. 

And let's not forget the phony footage of Lovelady sitting in the squad room. He was inserted there, and it wasn't even him. That particular fakery was done twice using different surrogates for Lovelady. 

There is quite a bit more that I have done, but I am going to end it on one more thing, and that is my conviction and my arguments that Joseph P. Kennedy Jr. was the first Kennedy to be assassinated. After all, he was the first son of that raving anti-Semite and Hitler-lover, Joseph P. Kennedy Sr.  And it was no secret that as he was leaving military service a war hero, that he was going to run for political office and with his eye on a rapid ascent to the White House. They couldn't let that happen. So, it went Joe Jr., Jack, Bobby, a stab at Teddy, and then JFK Jr. That's a lot of Kennedys to kill or try to kill. 

And ironically, and stupidly, in my opinion, they even wrote it into the JFK assassination saga, with Louis Witt claiming that his umbrella represented the appeasement of Hitler by Neville Chamberlain and Joseph P. Kennedy Sr.- as if JFK would have figured that out and given it any thought. I'm sure that every time he saw a guy with an umbrella, he thought, "why that guy is making fun of my dad." And for the record, Joseph P. Kennedy was not an anti-Semite, and he was just trying to prevent a world war, one that people in high places, including his boss FDR, very much wanted at any cost. 

Well, thank you for reading this. It has been quite a ride for me, starting in 2011. So, next year, it will be 10 years. And know this: not all, but most of the things I claim, I am sure of beyond the slightest shadow of a doubt.