Oswald in the doorway: the blog of the Oswald Innocence Campaign, by Ralph Cinque

You can see how far from the intersection the African American people are in Towner. 

Look at the lady in blue on the left. Look how far down she is. She is practically in front of the pergola. Well, guess what? In the Zapruder film, she is practically at the corner. She is practically first in line at the top of Dealey Plaza!

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That's them, the same African American folks from Croft and Towner. You can see where the motorcycle is, rounding the corner from Houston to Elm. How far away could she be from it?

OK, the limo is going to appear and start moving down Elm. And these folks we have been talking about are going to exit frame. So, let's pass the baton and use someone else as a marker. Do you see the lady in the red scarf on the right?

So, on the left is the black gentleman in the white shirt, and we know that the lady in the red scarf was down from him. 

Now, there is Kennedy, and he is alive and well. Nobody has any reason to say that he's shot there. Even though he is barely out of the horseshoe turn, he is past the black man. And soon, he is going to be past the woman in the red scarf too, so I have picked a new marker, th ewoman in the light tan suit. 

So here we are down to the woman in the tan suit, and Kennedy is still alive and well and waving. And he's practically at the sign, even though this narrow frame captures the top of Dealey Plaza. Do you realize where that sign was?

Look how far it is from the top of Dealey Plaza. And this photo was taken from Zapruder's position, and you can see that there is no way it could have entered the frame like this:

So, what is going on here with these black folks now at the very top of Dealey Plaza and the freeway sign also looming large there?

What is going on is the most vile emanation of Nazi-like mindbending that has ever been done. For years and decades, people have been saying that the Zapruder film was altered, but did they have any idea how much? I doubt it. And remember that the perpetrators had a long time to do it. It's been said that the farground in the Zapruder film was split out and then reconfigured in relation to the movement of the limo, and that's why people are looking the wrong way when Kennedy is passing them, such as here.

But, what is apparent now is that the same is true of the near ground, that is, the other side of Elm, the north side. They apparently moved everyone up, and the purpose was to get to that sign to show up earlier (refurbished, of course, with an impossible angle) so that the actual striking of the two bullets which hit Kennedy, in the back and in the throat, could be concealed.  

So, behold what I call the Impossible Collage. And I took the name from that new rage that's sweeping the country, the meatless Impossible Burger at Burger King, which I've tried. 

Start by looking at the bottom one, which is Towner. And look at all the people who are to right of the woman in blue. All these people...

...and more would have to fit into this space:

And remember that people caddy-corner are on Houston, and there is a street in-between. And the street is for cars, not people. 

Oh, but for the evil of it all. Our country died that day, and the evil spread like an ether, touching everything that followed- with blood.