Oswald in the doorway: the blog of the Oswald Innocence Campaign, by Ralph Cinque

 This is one of the biggest discoveries of my career. The Dal-Tex building in the Altgens4 photo is structurally different from the Dal-Tex building in the Altgens6 photo. Take a look:

So, on the left in Altgens6, there is the weird woman on the fire escape, then the long rectangular column, then the recessed window with the girls, and then there is wall, then the rain gutter, then more wall, and it never reaches the corner. But, in Altgens4, there is a young black boy sitting on the fire escape. Then there is the long column, but not showing as much depth. And then there is the rain gutter, and then it gets to the corner of the building. THE WINDOW WITH THE GIRLS IS MISSING!

And we don't see the other open window in Altgens4 either. If you look below and to the left of the woman in Altgens6, there is an open window with no one in it. So, we don't see that window in Altgens4 either. SO, THERE ARE NO OPEN WINDOWS IN ALTGENS4, BUT THERE ARE TWO OPEN WINDOWS IN ALTGENS6.  

They definitely removed those windows from Altgens4. They didn't remove them from Altgens6 because they couldn't. So, what is the significance of those windows? The significance is that JFK was shot in the back from one of those windows, and I am 99% sure it was the window with the girls because that would have been the straighter, less angled shot to JFK's back. The idea was to shoot him straight in the back with that ice dart, which happened as soon as the limo completed the turn from Houston to Elm. 

So, the girls in the window weren't real in Altgens6, and neither was the weird woman on the fire escape. Considering how much trouble the alterers went to, I have to wonder why they didn't just have their artists close the windows; paint them shut. It wouldn't have been any harder to do than what they did.