Oswald in the doorway: the blog of the Oswald Innocence Campaign, by Ralph Cinque

 Josiah "Tink" Thompson said that this image from the Muchmore film shows Mary Moorman taking her photo.

But, that's impossible because if Mary had taken her picture then, the Kennedys would have been centered in it. Supposedly, they were passing by her, and just as they got even with her, she snapped it. Bingo, they'd have been centered. But, they're not; they are left of center. 

So, the Kennedys are not centered but left of center, and the very large size of Hargis tells you that he was much closer to the camera. He is HUGE, so he was MUCH closer to the camera. And, there wasn't triangulation between the photographer and the two subjects; there was linearity. It went in a straight line from the photographer to Hargis to the Kennedys. That's the reason the sizes are so disproportionate. 

There are 2 photographers in the Muchmore frame: Mary Moorman and Babushka Lady. Mary's relationship to the two subjects (Kennedy and Hargis) is triangular, while Babushka's is linear.

This is very simple Physics and Mathematics. But, the only one of those two photographers could have captured the size disparity between Hargis and Kennedy in the Moorman photo, and that is Babushka. 

So, what is Mary Moorman doing there if she wasn't taking her picture? Why is she holding her camera up? I doubt that she was. Look how easily it could have been fabricated. 

Look how crude that imagery is on the left. A little black paint; you draw a box. Bingo: you've got a camera. You really can't make out her arm. It's all very crude and not even photographic. 

Tink was right that the image below does show when the Moorman photo was taken. But, it wasn't taken by Mary Moorman. It was taken by Babushka Lady.