Oswald in the doorway: the blog of the Oswald Innocence Campaign, by Ralph Cinque

Now, let's look further at the comparison of Betzner and Moorman. First, look at the angle from which Betzner was shooting.

Now, that is obviously a very different perspective than the Moorman photo. But, look at the pedestal. We're seeing two faces, but what two? The sunny one is the south face, facing Mary. The greyer one is the east face. 

So, that's what Betzner caught, and it makes sense because he was shooting diagonally from the southeast. Therefore, he would capture the south and east faces of the pedestal. But, what got captured in the Moorman photo?

I presume it has to be the same because if the perspective of the secretary is the same, then the perspective of the pedestal also has to be the same. 

So, let's apply it to the Moorman photo at large:

 Wait. That doesn't make sense. The south face should be facing Elm Street directly. Look what Mack/Thompson got:

They just caught the south face. And it was the same for me:

So, how did the taker of the Moorman photo catch so much of the east face?

So, how could the Moorman photo have captured two faces of the pedestal, same as Betzner, when Mary was right across from it? 

To be continued...