Oswald in the doorway: the blog of the Oswald Innocence Campaign, by Ralph Cinque

Let's try to establish the time coordinates between Wiegman and Altgens. This is from the 1st second of Wiegman.

I know that bpete posted some Wiegman frames which allegedly came before this, but I don't know where he got them. They are not commonly available. In the commonly available versions of the Wiegman film online, this is how it starts. Notice that most people are looking down toward Kennedy, but nobody is reacting like a tragedy is underway. Now, here is the 4 second mark:

Notice that this is a sharper frame. It wasn't extracted from the film by me. I think it came from Robin Unger. What's clear is that all the online versions of the Wiegman film are more blurred than they have to be. I believe the film was deliberately blurred so that we don't get a clear view of Oswald. Notice above that the Doorman is that Cigar Store Indian I have talked about. Backes said he's staring straight ahead because he's already begun the mourning process for Kennedy. What I say is that they put him into that picture because Oswald was gone by then. But, I want you to notice the poignancy. You've got women with their hands to their mouths. Nobody is clapping or waving or smiling, as in Altgens. They know that something is wrong; terribly wrong. So, this is DEFINITELY some seconds AFTER Altgens. These spectators are more aware than the spectators in Altgens.  This is several seconds after Altgens. Doesn't that mean that the first frame is closely aligned time-wise with Altgens? I believe it is.

You see Kennedy reacting to the throat shot, so that means at least three shots have already been fired: the shot that missed, the back shot, and the throat shot. There may have been more, but there were at least 3 shots fired at that this point. That tells us about where we are in the shooting, which is several seconds, like maybe 4 seconds, before the fatal head shot. We can figure it mathematically. The Altgens photo is usually correlated to Z255. Since the fatal head shot occurs at Z313, that's 58 frames later. Dividing by 18 frames per second, we get 3.2 seconds before the fatal head shot. 

However, remember that frames were removed from the Z-film to hide the slowing and stopping of the vehicle. Here's the Nix film in which you can see the change in velocity very clearly.

https://www.youtube.com/watch?v=GU4mAVCprAU

So, the time interval between Z255 and Z313 had to be longer than 3.22 seconds. I'll round it up to 4 seconds, admitting it's just a guess and a round number. 

So, the Altgens photo was taken approximately 4 seconds before the fatal head shot. 

Another way to look at it is that right after the second pan of the doorway, Wiegman starts disembarking from the press car. Why did he get off? It's because it stopped or nearly stopped, and he thought he cover more ground on foot. We know that it was right before the fatal head shot that Greer hit the brake, and right after it that he floored it and sped off to Parkland. So, Wiegman getting off the car probably coincided quite closely with the fatal head shot. It may have been a little bit after it, but not much. 

So, that would mean that the clear, crisp frame from Wiegman, the poignant one showing the Cigar Store Indian, had to correlate very closely with the fatal head shot.

   
And if you subtract 4 seconds from that, you get to the start of the film, as we know it. 

So, this all bolsters my premise that the start of Wiegman film and the Altgens photo were very closely correlated in time. So essentially, what you're seeing directly above correlates with the Altgens photo. I think it is a safe bet to say that it correlates within 1 second of the Altgens photo.  Now, you can see where Roy Lewis is and how he is. This correlates with the Altgens photo. This proves that at the moment of the Altgens photo, Roy Lewis was against the west wall and peering west. He was not turned and facing east as we see him in Altgens. 

That is a bull shit image of Roy Lewis, and we know that from the Wiegman film. 

 For all practical purposes, these two images were taken at the same time, and Roy Lewis was in the exact same position. What we see on the left is real, and what we see on the right is fake. Roy Lewis was against that west wall, largely hidden from Altgens' view. If Doorman's right shoulder was cut off from Altgen's view, how could Roy Lewis not be cut from his view? Doorman was not behind the white column. He was right where we see him on the left in the center. It was the angular effect of Altgens' position which obscured the west side of the doorway, including the area along the wall where Roy Lewis was. At the very most, maybe Roy's left shoulder and left arm might have stuck out a little to Altgens' view, but it's hard to say. But if so, they got covered up by the placement of the image they put in there: the profile image from the Willis slide. And how they came up with that weird shamrock-shaped form for Roy's torso below his head in the Altgens photo, I do not know. I'm sure that didn't come from the Willis frame. Just look at how similar these two facial profiles of Roy lewis are. The fact is: they are too similar.