Oswald in the doorway: the blog of the Oswald Innocence Campaign, by Ralph Cinque

What I like about this process is that my enemies serve as springboards- for me. They don't respond to every point I make. There are plenty they ignore. Instead, they take potshots at what they think are weak spots. But, it turns out that they aren't weak spots. And so, ultimately, I end up having the last word and winning every battle, and in the process, I strengthen my case.

For the record, I've never lost to these bloodied people. When have I ever had to take anything down from the OIC website because of something they said? Never.

OK, now let's get started:

Above, you can see how tattered Oswald's shirt was, and you can see the worn spots on it. It was an old shirt. Can you see them? If not, I'll circle them for you. But first note that this was a tweed shirt with a very fine grain, and it had a tendency to reflect light. Notice that there's white.

Do you, or do you not see the white? Now, keep in mind: you're not looking at white thread there. That is strictly a photographic effect due to the light reflection. And it came out both similar and different in the doorway because it was a different situation with different light and other conditions different as well. Every photograph is a unique thing.

Below, I have circled a couple of worn areas which would have provoked that whitening effect in the bright sunlight.

When we put them side by side with that realization in mind:

Yep! That works well. It truly does. You can see how that would material on Oswald would sparkle and reflect in the bright sunlight of the doorway. It works a heck of a lot better than this:

Remember, it had to be one of the two. So, it's not a matter of who matches perfectly, but who matches better. And Oswald matches Doorman overwhelmingly better than Lovelady. It's not even close.