Oswald in the doorway: the blog of the Oswald Innocence Campaign, by Ralph Cinque

I certainly do not claim that Robin Unger is the one who implanted the Mother and Baby into the Towner film. Somebody did it, but it wasn't him. His job is just to support it, to vouch for it.

I am not going to speculate about when it was done or who did it except to say that it had to be long ago. They couldn't have done it after the Towner film was widely seen and dispersed because then there would have been two versions of it. They had to do it at a time when it was under government control, and that's before there was an internet.   

So, why don't the online versions of the Towner film show the Mother and Baby? I think it's because the fix they did, which was pre-digital, did not transfer to the online digital environment. At least, it didn't translate very well. 

If you look at that closely, you see a faint suggestion- at least of the baby. You wouldn't recognize it all if you didn't know about the other. But, with the vision of the other in your head, your mind can fill in the blanks and conjure up the rest. But, why is it so sparse? Why is it so depleted, especially when we can see the Fedora Man just fine? Again, it just didn't hold up when they made the transfer. It got washed out. 

The area of the doorway is also highly suspicious in the Towner film. We know that at the time of the motorcade, bright sunlight was streaming into the doorway. In fact, it was blindingly bright, and that's why we see multiple individuals vizoring their eyes with their hands. Yet, the doorway looks dark in the Towner film.

 It was only a few seconds before the Altgens photo was taken, and you can't assume that the conditions were any different. The odds are great that they blackened out that doorway. Is there any justification for this contrast?

I'm not buying it. Are you?