This is the other image of Oswald in the doorway (from the Weaver photo) in which his face was obfuscated with a black sphere in order to hide him. It was discovered by Saintly Oswald. And it has got to be Black Hole Man next to him, with his hands atop his head, just as in the Altgens photo and the Wiegman film.
But the question is: what happened to Doorman's dark shirt, and why don't we see his open shirt sprawl, as we do in Altgens and Wiegman?
I'll tell you why. In Weaver, they whited out Oswald's brown shirt, thus destroying the visible shirt sprawl that we see in Wiegman and Altgens.
And, this new discovery in Weaver sheds light on the Hughes doorway as well.
So, on the left in Weaver, we see the doorway just as we see it in Wiegman, with Doorman located at the center atop and Roy Lewis over by the west wall below. That's just what we expect in order to conform with Wiegman and Altgens. But, why is Doorman hovering above Roy Lewis in Hughes? Because he's fake! They put him there. I know that JFK's limo had to travel a block between Weaver and Hughes, but so what? There are no grounds to assume that Doorman moved and relocated during that time. Why would he have done that? But, it also gives pause about what we are seeing in the Hughes doorway.
Yes, I know about the girl standing on the pedestal by the reflecting pool, and yes, I know about the road signs taking up the right side of the doorway, but is it real? And keep something in mind before you answer: we can test it. I don't know if the road signs are still there, but we know where they were, and we can hold proxies up, if necessary, and re-shoot it. Would those little signs really fill up half the doorway? Or is it just a little too convenient?
You see the pedestal on which the girl was standing. Below, I have it enlarged and marked. And it's still there, so we can test that too.
So, we have the girl and the road signs effectively obscuring the east side of the doorway, but is it real?
Why from Hughes perspective would the road signs be located so far to the left of the telephone pole when they were both aligned along the sidewalk? Here's another view.
That is close to Hughes position, but you would have to shift left to find his exact spot. But, you can see that the road signs and the telephone pole are aligned; they are both along the curb. Look:
So, from Hughes perspective, which was from the west side of the intersection of Main and Houston, the road signs and the telephone pole should be aligned. So, why do they appear side by side in his film?
Also, why do the road signs appear to be closer to the doorway than the telephone pole? Isn't the order reversed? They were farther away.
But, what if those road signs that we see are completely fake? Then, we should be able to find the real ones. Perhaps we can.
Are those the real road signs? Of course, the real road signs should have been in front of the telephone pole from Hughes perspective, but how hard would it have been to color in the pole over the signs? And if those are not the real road signs, what are they? Obviously, there are distinct white forms there, so what are they?
Here is another look at it from another version of Hughes:
So, are those the real road signs in Hughes, the ones aligned with the telephone pole, with the doorway ones being totally fake? That's what I think.
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