Oswald in the doorway: the blog of the Oswald Innocence Campaign, by Ralph Cinque

Backes knows full-well that it's Oswald in the doorway. He doesn't even bother to fight it any more. He'd rather talk about chihuahuas and dating sites- not that anyone is ever going to find him on a dating site that involves women. No worries there. 

But, the point is that there is no block of wood so dense that you can't pound a nail into it if you hit it hard enough. And likewise, even a guy as dense and stupid as Joseph Backes has to realize that it's Oswald in the doorway.  

Obviously, there is a lot of distortion on the left side of Doorman's face (his left). In fact, it is so distorted, the shape of his face doesn't even look human. Nobody's face could be shaped like that with such a gouge. And obviously, no one could have an ear as deformed as that. Just compare his right ear to his left ear. His right ear, which was next to the pillar on the west side, looks normal. In fact, it looks exactly like Oswald's ear. But, his left ear looks like a cauliflower. Just compare the two. Do you think there is any photographic reason why such an extreme disparity should exist? I assure you, there isn't. The only reason his left ear is so deformed is because they damaged the image when they inserted Black Tie Man into it. What other explanation could there be? There is none.   
And on the right (our right) in Oswald's image, we can see the shape of his face on that side before they did their evil manipulation. 

Doorman's right ear, his nose, his chin, his mouth, and his eyes are all a perfect match to Oswald, while his hairline is a perfect match to Young Lovelady.   

It's an unusual way to go bald, but that was poor Billy's fate. Even when he was 20 years old, it had started. 

But, that wasn't Lovelady's hairline in 1963. He was a rapidly balding young man, and every year took it's toll. Here he is in the winter of 1964.

So, how much hair did he have in the fall of 1963? About the same as above, don't you think? 

So, what we've got on Doorman is a perfect match to Oswald from the eyes down, and a perfect match to Young Lovelady from the 1950s from the forehead up. 

They moved Lovelady's "cap" over to Doorman to "Lovelady-ify" him, and that's it. It explains everything. 

This is like a jigsaw puzzle in which we have got every piece in place. We have accounted for everything. We've solved it. 

So, why does Backes keep fighting? It's just pure hate and rage; that's all. He doesn't have the will to argue on point any more. He knows it's futile. He knows he's lost; and he's a sore loser. 

But, every time he attacks me personally about things that have nothing whatsoever to do with JFK and Oswald, he is admitting that I am right and he is wrong, and he is powerless to refute me.

But listen, Backes, since the only thing that interests you any more is not JFK but probing into my personal life, you should check with the Austin Police Department. There is something much bigger and more sensational than anything you've found.  Come on. Go for it.