Oswald in the doorway: the blog of the Oswald Innocence Campaign, by Ralph Cinque

Here you go, Unger. I moved Mary Moorman up so that she's closer to the curb. It still works. It still shows that if she's shooting out at the street, that the hulk of him is going to enter her camera field all at once. Her capture of him cannot possibly be limited to his distant right arm.