Oswald in the doorway: the blog of the Oswald Innocence Campaign, by Ralph Cinque

Unger, in your ridiculous frame, in which Mary Moorman doesn't even have her camera raised, Martin is still in front of her. Explain to me how she could photograph his right arm without photographing his left. 

She's on the grass. He's in the street. She's shooting from left to right. So, how does she photograph the right side of his body without photographing the left?