Oswald in the doorway: the blog of the Oswald Innocence Campaign, by Ralph Cinque

So, Backes thinks it's outrageous that they made a phony movie of the walk-by at the PD, even though I showed him how utterly conflicted  and irreconcilable the two Lovelady figures are:

Those two cannot possibly be the same man, Backes. They are vastly different men. They have vastly different builds. Vastly different muscularity. Their shirts are arranged differently. Their ears are different. Their hair is different. They are different men. Different. Different. Different. 

So, something is fishy here; something is phony here. And it cannot be denied. 

But, making a phony movie is NOTHING compared to concocting a phony bus ride and cab ride, which you believe Dallas police did. 

So, tell me, Backes: How is it that you put the Dallas Police up to concocting a phony bus ride and cab ride but not a phony film? If they would frame Oswald with a phony bus ride and cab ride, why wouldn't they frame him with a phony film? And which was harder to do? The phony bus ride and cab ride had to be done immediately. They entered the phony bus transfer ticket into evidence at 4:00 PM on the Friday. That means they were committed to the phony story before Oswald was even finished giving his first interview. The phony bus and cab ride involved producing phony witnesses who had to be interrogated and cross-examined. But, there were no witnesses involved with the phony movies. They didn't have to produce any personalities to discuss it.  

So, who made the decision to go with the phony bus and cab rides, Backes? You think it was Henry Wade? Did he come up with the general idea or did he write the exact script? And presumably once they decided on a particular bus for Oswald, they tracked it down to the one driving it, Cecil McWatters, but how did they come up with Whaley and Bledsoe? Did Whaley drive anyone to N. Beckley at 12:45 or was the whole thing made up? Was Mary Bledsoe on the bus at all? Not according to you. You have her getting on the bus at Marsalis, even though she said she got on at St. Paul.  But, how did they recruit her to tell this story about seeing Oswald on the bus? When did they get to drill her about what to say? Explain exactly how this whole ruse went down. 

If you look at these two versions of the Dallas PD walk-by footage, you will see that there isn't a single frame that overlaps between the two of them. I mean there isn't one single frame that you can see in both versions of the film. Not one. They are two entirely different movies. How do you account for that, Backes?

There isn't one frame that matches between the two even though they are supposed to be the exact same thing at the exact same time. They are two completely different versions of what is supposed to be the exact same moment in time and in a very small space. Yet, there is a complete absence of any frames that look alike.