Monday, December 30, 2013

Take a look at this Doorman image posted by bpete. I want you to notice one thing: the proximity of the eyes and the eyebrows. Those brows are riding right on top of the eyes. 

On Lovelady to the right, over what was actually a 7 year time span, you can see that his facial posture resulted in quite a gap between his eyes and his brows. You're seeing it there twice. But on Oswald, there was very little space between the two- just like on Doorman. 




What it means is that it's Oswald's eyes we are seeing on Doorman.
It's Oswald's nose too. Oswald had more flare to his nostrils; Lovelady's nostrils were more closed. His whole nose was more lumpen than Oswald's. And we are seeing the larger, more flared nostril on Doorman. 

So, it's Oswald's eyes; Oswald's nose; Oswald's right ear (the left ear got mangled by the imposition of Black Tie Man); Oswald's square chin, and Oswald's pursed lips, which was his habit. It's also Oswald's stance, clasping his hands left over right:


What about him is Lovelady? The hairline, that's all. And they had to do something to Lovelady-ify him. They weren't going to just say that he was Lovelady. Not even these people were THAT arrogant.

This clinches it. It was definitely Oswald in the doorway. You don't have to worry about anybody having ID'd him at the time. It doesn't matter when we can see him there. 

But, in analyzing what people said, I think the place the start is with The Spider's Web by William Weston. Weston provides evidence that the TSBD was a CIA front company that only moved into 411 Elm to pull off the framing of Oswald for the assassination. 

Remember in the movie The Sting they had a whole big phony gambling operation going just to fool one guy, Doyle Lonnegan? Well, this was a whole big phony book distributing operation just to frame one guy, Lee Harvey Oswald. And they did distribute books, it's just that it was only a cover for what they were really doing. The building was way too big for their distributing with tons of empty space. The former occupant did meat processing there which left the floors damp, which was bad for the books. So why go to all the trouble to move from the Dal-Tex building to there? And in August 1963 no less, just a few months before the assassination? It was to frame Oswald. 

Now let's look at what Bill Shelley said. He, like Buell Frazier, said he was back in the shadows. But was he? Consider what Billy Lovelady said:

Billy Lovelady:  I happened to look on the outside and Mr. Shelley was standing outside with Miss Sarah Stanton, I believe her name is, and I said, "Well, I'll go out there and talk with them, sit down and eat my lunch out there, set on the steps," so I went out there. 

It turns out that Bill Shelley was one of the first ones out there, and he was out there with Sarah Stanton. Was she back in the shadows too? It was a nice day; the sun was shining; and there was no reason to stand back in the shadows. And if you were one of the first ones out there, as Shelley was, you would automatically take a forward position. You wouldn't stay back in the shadows. The whole idea was to see the parade, right? You see it better from in front than in back, right? Better visibility? 

Lovelady linked sitting on the steps to eat his lunch to being with them: Bill Shelley and Sarah Stanton. They were NOT back in the shadows. They were DOWN on the steps. 

So, why did Shelley lie and say he was back in the shadows? It was because somebody took him out of the Altgens photo. And since we can't see him there, he had to provide an explanation for that. 

Here's Frazier:

Mr. BALL - Did you go out there with somebody? 
Mr. FRAZIER - Yes, sir; I did. 
Mr. BALL - Who did you go out there with? 
Mr. FRAZIER - I stayed around there pretty close to Mr. Shelley and this boy Billy Lovelady and just standing there, people talking and just talking about how pretty a day it turned out to be, because I told you earlier it was an old cloudy and misty day and then it didn't look like it was going to be a pretty day at all. 
Mr. BALL - And it turned out to be a good day? 
Mr. FRAZIER - Pretty sunshiny day. 
Mr. BALL - Warm? 
Mr. FRAZIER - Yes, sir; it was pretty warm. 
Mr. BALL - Then let's see, there was Billy Lovelady and you were there. 
Mr. FRAZIER - Right. 
Mr. BALL - Anybody else you can remember? 
Mr. FRAZIER - There was a lady there, a heavy-set lady who worked upstairs there whose name is Sarah something, I don't know her last name. 
Mr. BALL - Were you near the steps? 
Mr. FRAZIER - Yes, sir; I was, I was standing about, I believe, one step down from the top there. 
Mr. BALL - One step down from the top of the steps? 
Mr. FRAZIER - Yes, sir; standing there by the rail. 
Mr. BALL - By steps we are talking about the steps of the entrance to the Building? 
Mr. FRAZIER - Yes, sir. 
Mr. BALL - Shown in this picture? 
Mr. FRAZIER - Yes, sir. 
Mr. BALL - Which is Commission's Exhibit No. 362. Can you come over here and show us about where you were standing? 
Mr. FRAZIER - Yes, sir. Like I told you this was an entrance right here. 
Mr. BALL - Yes, sir. 
Mr. FRAZIER - We have a bar rail running about half way up here. This was the first step and I was standing right around there. 
Mr. BALL - Put a mark there. Your name is Frazier, put an "F" there for Frazier. 
Mr. FRAZIER - O.K. 

So, Frazier was standing one step down from the top level, and he claimed to be close to Shelley. More evidence that Shelley was not back in the shadows. 

Shelley lied. He lied about his location, and he lied about not seeing Oswald. Shelley was Army Intelligence during the war. Shelley was CIA since it's founding in 1947. Read Weston. 

Oswald cited Shelley out front, and no doubt he expected Shelley to confirm it. Oswald knew Shelley from his Civil Air Patrol days in the early 1950s. 

Oswald had to know that these places that he worked for were front companies, including the TSBD. Otherwise, did he think it was just a coincidence that his old buddy from the CAP just happened to be his supervisor at the TSBD? Small world.

But look, we are really being distracted. The fact is that the photographic match to Oswald clinches it, and it overrules everything else. It requires no other confirmation. bpete asks for the proof. This is the proof, seeing Oswald in the doorway, recognizing him, identifying him, zeroing in on him. It's him, and it can't not be him. 

  

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