Oswald in the doorway: the blog of the Oswald Innocence Campaign, by Ralph Cinque

If we just examine and compare the shirt patterns, we can see that the match was between Doorman and Oswald, and not Lovelady.

Look how flashy Lovelady's pattern was on the right. He not only had horizontal lines, he had double horizontal lines, alternating white over black, and black over white. There is no way you can get from what we see on Doorman to what we see on Lovelady. Look at those distinct boxes on Lovelady. There is not a single box on Doorman. Not one. 

The best way to determine the true pattern of Doorman's shirt is to look at the upper right quarter of it. I have it boxed in the collage below.

Notice that Lovelady had pattern all the way up to and including his collar. Let's look at it up-close.

That is a very legitimate comparison where you can see that Doorman's shirt had just a dull grainy pattern while Lovelady had a flash, geometric, high-contrast pattern. We are looking at and comparing the same area of the shirt. There is no way that Lovelady's shirt could be Doorman's. 

Notice also that Lovelady's shirt is not sprawled open. You can't see his t-shirt. And it's not because of the angle because we can see both sides of his shirt. Here are both his collars. 

If that shirt were sprawled open, if his t-shirt were exposed like Doorman's, we'd see it. They are configured differently. Very differently. 

It is really an insult to one's intelligence that they try to pass these figures off as one. But, the killers are trapped in a corner. Their story has been exposed, but it's too late to write a new one. And now they are figuratively twisting in the noose that is the deathtrap of their own making. This screams fraud. And MacRae is a major mouthpiece of this fraud.