Oswald in the doorway: the blog of the Oswald Innocence Campaign, by Ralph Cinque

I'm catching up on my organizing, sorting files, and before I store these, I'd like to say again how significant they are. This is really some good investigative work. 

Look at the size of the Towner woman's head. It's huge. Compare it to the others in the picture. And not just her head, but also her neck. Look how you see the tapering of Fedora Man's neck. But, on the Towner woman, there is no tapering at all. Does she even have a neck at all? It's more like her head is sitting directly on her shoulders with no neck in-between. 

Look, she is not a real person, so you shouldn't expect her to be anatomically correct. She is a monstrosity that was built out of that tree. That's all there is to it. Then there is this:

I dare say that Lovelady's lines are truly horizontal. So, why would Doorman have diagonal lines if he was the same man wearing the exact same shirt? And don't tell me that he was leaning in the doorway. If he was leaning in the doorway, wouldn't he have remembered?

Lovelady didn't lean when he posed. In fact, if anything, he's leaning the OTHER way. Look how much lower his right hand is than his left. He isn't standing on the top level either, as he had maintained, but then again, maybe he was told to come down in order to keep him in the sun. It was obviously a different time of day and year with a lot more shade in the doorway. So, we'll forgive that. But, it's obvious that Lovelady had no consciousness of doing anything but standing there. 

Doorman was NOT leaning. Rather, his shoulder is missing; it's cut off. If you look at him restored whole, you see that he was just standing there watching the motorcade clasping his hands. 

Those impossible anatomical lines tell you that his image on the left is compromised. Talk about monstrosities, he's a fucking gargoyle. The intact Doorman is on the right, with his left shoulder restored.