Backes, you're becoming more incoherent with each passing day. You never got me to admit that I may have made Gorilla Lovelady. I didn't make Gorilla Lovelady. And the one who first recognized that he was a Lovelady impostor was KD Ruckman.
And you're looking at this the wrong way. I'm not racist. I'm not saying that all Hispanic men look alike. YOU ARE. I'm saying that they DON'T all look alike, and the reason the anti-Castro fighter and Danny Arce look the same is because they were the same man.
Those yellow police raincoats are a high visibility thing, Idiot, for use in traffic- to stand out. You can't use that as an example.
And don't use Jean Hill and Mary Moorman as examples either. Danny Arce was a young, strong, robust man who spent the morning laying flooring on the 6th floor, and don't tell me that he needed to put on that heavy coat for comfort. If skinny Bonnie Ray Williams was comfortable in a light shirt, don't you tell me that Danny Arce needed to wear a coat. I'm not buying it.
And that there was an FBI file on Danny Arce is very curious when he was just an "order filler". And if he was involved in secret CIA activities in Florida before going to the TSBD, then they obviously had to conceal that and lie about it. But here is what it comes down to:
Do you think this is Richard Nixon?
If you think it's Richard Nixon, based on the image, you're not going to let anybody talk you out of it by claiming that he was never there or that he never did that. You're going to insist that it must be him because we can see that it's him.
And by the way, it is Richard Nixon.
And that's right, Backes. Knowing as I do that Danny Arce was much more than just an order filler at the TSBD who happened to start a month before Oswald did, and knowing as I do that Remegio Arce was deeply involved in the whole anti-Cuban thing (here he is with Frank Sturgis)
I have to wonder if Danny and Remegio were related. And if you don't like it, you can kiss my ass.
And no; it's YOUR articles that are the stupid ones. William Westin's article on the Spider's Web: The TSBD and the Dallas Plot is one of the greatest articles to shine a light on the underpinnings of the JFK assassination.
But, that's right, Backes: I say this is a compelling likeness:
And then Backes admits that it would have been IMPOSSIBLE to hold up a phony bus ride and cab ride at trial, that it would have collapsed and been a freedom ticket for Oswald, but that it didn't matter because it was pre-planned for months in advance that Oswald would die and pronto.
Oh really? Well, if you know that, then you must know who "they" are who planned it So, who planned Oswald's death months in advance, Backes? Tell us. And did everyone at the Dallas PD know about it? Did Wade and Fritz and Curry and everyone who was involved in concocting the phony bus and cab rides for Oswald know from the beginning that he was going to be imminently killed? Because they produced the bus transfer ticket for him by 4 PM on the 22nd which was only 2 hours after his arrest.
So, how did it go down, Backes? Did Wade tell Curry and Fritz:
"Look, you know he's going to be killed in a couple of days, so let's make up a phony bus and cab ride for him. We don't want the word to get out that he was picked up and driven out of Dealey Plaza by an accomplice. Of course, it would never hold up at trial, but there isn't going to be a trial. So, we can get away with this. Get your people on it. We need a driver and other witnesses. And make it complicated. He walks a ways; then he gets on a bus- but make it the wrong direction and only for a couple blocks; that'll throw 'em- and then he walks some more; and then he gets in a cab- and drives beyond his residence and has to walk back. Oh, I'm loving it! Are you catching all this?"
Fuck you, Backes.
And no, the difference between how Joseph Ball handled Danny Arce and how he handled Billy Lovelady concerning Doorman was not "demented stuff". It was a world of difference. With Arce, Ball just pointed to Doorman and asked who is he. But, Ball didn't do that with Lovelady. He could have; he should have; but he didn't. He played a game with arrows.
And OK, I was wrong about the HM thing in regard to Joe Molina. I admit it. Unlike you, I'll admit when I'm wrong. But, it's pretty damn minor as mistakes go, and it neither gets Oswald out of the doorway nor does it get Arce out of the training camp.
And now Backes is doubting that I am in communication with John Armstrong, where I have posted letters from him to me.
Wouldn't that be a risky thing to do, Backes? Couldn't word of that get back to John Armstrong, and wouldn't he denounce me and reveal to the world that he never wrote any such letters? And what would that do to my reputation and credibility? It would destroy it, wouldn't it? So, why would I take a chance like that? I wouldn't.
I have not only received many communications from John Armstrong, but he tells me, explicitly, which ones I can share and which ones I can't. Some of what he tells me is off the record, and I respect that. I would never betray him. John Armstrong is one of the greatest men to ever delve into the JFK assassination.
Backes, you take and use photos of mine all the time, so why do you accuse me of using other people's photos, you disgusting hypocrite?
And the following by Backes is so bizarre, I use it as proof of his insanity:
And amazingly, Backes now says that we're all Africans since the human race started there. Well, in that case, why apply the term exclusively to black people from Africa? The point is that Africa is too big and too diverse a place to use it to define a person's race. People of different races come from Africa.
And now Backes is pegging me as the head of the Ku Klux Klan. For goodness sake, I'm barely white myself being so olive-complected. I'm probably as dark as Arce was or nearly so. Skin color is of no importance to me. I don't judge anybody by skin color. You're a white guy, Backes, and you suck.
And finally, you just have to compare the right side of the car to the left to realize that we are not looking at a vent window.
Left, right, left, right, left, right, left, right, left, right, end of story.
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