Oswald in the doorway: the blog of the Oswald Innocence Campaign, by Ralph Cinque

This freaky guy, who looks like an alien because of the weird shape of his head, at least he has normal coloring. That is, his coloring meshes with his background, where everything looks like it has the same lighting. 

But, this other Lovelady has got a weird illumination, where he's like the Madonna appearing before the children at Lourdes. 

That's the ticket. He's glowing like Our (Love)Lady of Lourdes. 

Look at them together: one light up, the other not.

It's supposed to be the same guy at the same time in the same place. That means the same lighting. And don't tell me it's because of a different camera, a different lens, a different setting, etc. because the lighting was the same for all the cameramen in that room, and it was a very small room. 

And why is there another version of the guy on the right in which he looks a lot larger but at least human:

 Why do those two versions exist, Backes? They're the same photograph. Someone took the one on the left and mangled it to what we see on the right. Why? What was their motive? What was their purpose?

Try to answer the questions directly, Backes, and don't go into too long a spiel about how I'm over and done. Just get to the fucking point. You're in the witness box, and I'm the opposing attorney cross-examining you as a hostile witness. Understand?