Oswald in the doorway: the blog of the Oswald Innocence Campaign, by Ralph Cinque

Robin Unger's gif consists mostly of the moving film. But, at the end, it settles on a still frame that is definitely not connected to what came before. How could it when it is qualitatively so different? The film wouldn't suddenly sharpen on that frame. And then since it's a still frame, it can't and doesn't go back to the movie. It's not unlike what we saw in the Newsreel with the newsreel settling on the Jackson lookalike frame which is not really part of it. 

Wiegman made a second pan of the doorway, in which he rotated himself and his camera all the way around again to return to the doorway. Why? It must be because he either saw something through the corner of his eye OR he heard something, some commotion. What could it have been? How about Shelley ordering Oswald to the lunch room? Perhaps Oswald resisted, and Shelley got insistent. And then, when the camera finally gets back to the doorway, we see the very clear, sharp frame which supposedly shows Lovelady standing there like a cigar store Indian on the far right. 

 It isn't real. It isn't even an honest frame; it's cropped. There was more stuff to the right of him and all very distorted. That got cut out. It's cut out of the gift too. That figure was not there. It was put in there. Oswald had already left, and they put that figure in to replace him. And of course, they claim he's Lovelady.

Here below is the uncropped frame. So, how could a cropped frame be part of the film?

You see all that to the right of him? So, how did a cropped frame get into Robin Unger's gif?