You can go straight to Hell, MacRae; I didn't rip off anything. And you know less than you think. I own Three Shots that Changed America on DVD, and I happen to have the original which came out in 2009. Since then, they have changed it, and they slimmed the Lovelady figure down.
On the left is how they are passing him off today. They realized afterwards that they made this guy way too muscular to be Lovelady, and way too muscular to be somebody who could be mistaken for Oswald.
Remember the stories they told? That Lovelady's kids saw Oswald on television and thought he was their dad? That Lovelady's wife saw Oswald from behind at the Book Depository and called to him like he was her husband? Yes, the blew it big-time foisting that guy as a look-alike for Oswald, and so they tried to fix him by messing with the dimensions on the left. Look at how miniature the filing cabinets look behind that skinny guy on the left. What a pathetic attempt at more fakery.
Supposedly, this walk-by footage of Lovelady at the Dallas PD and the Martin film of Lovelady outside the TSBD were taken on 11/22/63. Therefore, why weren't they included in the Warren Report? The Warren Commission had plenty of images of Oswald, and if they also had these images of Lovelady on 11/22/63, why didn't they use them to make their determination? Why did they rely entirely on lip-flapping when they were in possession of images? Yet, these films of Lovelady were never acknowledged by the WC. There was nary a word. The fact is that the Martin film of Lovelady did not surface until 1967. Nobody talked about it until then. In David Wrone's book page 177: "Then, early in 1967, an opportunity arose that eventually led to the discovery in the Martin film of Lovelady." And he goes on to talk about a televised debate that Harold Weisberg was involved in which brought it out. The walk-by footage of Lovelady at the Dallas PD was not recognized until the 1970s. Nobody talked about it until then, yet it was supposedly made on 11/22/63. But, it was NOT made on 11/22/63. It wasn't made until Harold Weisberg, Mark Lane, and Penn Jones started making a stink about Lovelady's shirt in the late 1960s.
And back to you, Backes, you are just being an idiot. The big cop is talking to Will Fritz who is inside that door, and they are talking about what should be done with Oswald. You can see that he is talking to someone, right? Who do you think he's talking to? He's talking to the guy who is in charge of the investigation. He is talking to the guy who is about to interrogate Oswald, and Fritz is telling him where to put Oswald for that interrogation.
You are a freaking moron, Backes. He is obviously talking to somebody.
Where is the top-most piece of paper that we see on the left on the right? It seems to be missing.
In case you don't know it, the clock says the exact same time, 2:00.
So, if it's 2:00, how come in one version the cop is over by the door talking to somebody, presumably Fritz, but in the other one, he's just walking straight into the wall?
It says the exact same time 2:00, but the big cop and Oswald never scoot over to that door in the DeNiro version. They never scoot over there in ANY form of the DeNiro version. It just doesn't happen. The big cop and Oswald never turn right. And DeNiro never swings around to the right. It is a completely different version of the film with different action.
You guys really want to talk about this, huh? Well, step into my lair because I'm ready to spotlight it. This is screaming fakery, screaming duplicity.
When Mrs. Lovelady spoke to Harold Weisberg on the phone in 1967, she never once said anything about her Billy being caught on film. She never urged Weisberg to study the films from the day of the assassination to see which shirt her Billy was wearing. She didn't mention it because she didn't know about it. Apparently, her Billy never mentioned the media circus he was thrust into on 11/22/63. And her Billy denied he was ever milling around outside the TSBD after the assassination. He was long gone before the police checkpoint was set up in front. He was inside the building by then, for sure.
And you can plainly see that this guy is not Lovelady.
Look at the freaking ears, for goodness sake:
You can't sell this shit in Peoria. Those are two different ears and two different men. You want to keep going? Fine. I've got plenty more. I'm not through.
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