Oswald in the doorway: the blog of the Oswald Innocence Campaign, by Ralph Cinque

bpete is full of crap. These are two entirely different films with nothing in common. They are not sequential. One did not follow the other. And different camera angles had nothing to do with it. They are two different men, one being thick and muscular and the other not. One's shirt is splayed open while the other's is not. In one, the big cop leads Oswald to the door, but in the other, there is no movement and no door. These are both phony films of Lovelady at the PD, but they are phonied-up in different ways. The first one was the real footage in which the Lovelady figure was implanted into the film. The second one with the muscular DeNiro Lovelady was done as a reenactment.

I show this one first because it came first chronologically.

This other one came later, and I mean much later, that is 2009 when the History Channel came out with Three Shots That Changed America. It starts with all the dark trudging along by the cops, which is completely missing above. Then it hones in on Lovelady, brings him into focus, then the big linebacker cop covers the screen, then it breaks to a newscaster. 

 All that dark plodding along by the cops is nothing but fakery. This is just a different false rendering of Lovelady wearing a plaid shirt. 

 Lovelady was not there. He was artificially placed at that desk to tell a lie. You liars and fakers can't make something as phony as this seem real. Above, the big cop was real; Oswald was real; but Lovelady was not. He was not there. This is just smoke and mirrors, and it is the work of killers. You'll burn in hell for pushing this shit. Lovelady was NOT there.  There was no one at that desk. No one.