Tuesday, January 7, 2014

Kennedy-killing bpete thinks he can parse his arrows and his x's into something meaningful, but he's just a lying fuck. 


It doesn't matter how you parse this with your arrows and x's; the fact is that they are there at that bend where the hallway turns into the room, and your exact tweaking of them has no relevance or importance. It's just crap spewing from your lying ass. It's on par with your stupid chart of how fibers from Oswald's shirt lingered on the rifle for months- when you have no knowledege whatsoever that Oswald ever handled the gun wearing that shirt on any prior occasion. 

The fact is that the big cop led Oswald to that back supply/interview room because he expected to hand Oswald off to someone there. And apparently, no one was there. Or someone was in there that we just can't see who was talking to him. How do we know? Maybe there was somebody in there. He seemed to spend a long time milling around there, so he could have been talking to someone. We just don't know about that. But, he definitely didn't put Oswald in there, and the next thing in Four Days is that we see those photogs clicking away. But, two things make no sense: it makes no sense for some photogs to be filming other photogs when they could be filming Oswald. And it makes no sense for the cameras to have been turned off during the reshuffling. 


Back the hell up? Is that what he told them? How the hell do you know that, Azzhole? Were you there? And why in hell would they have turned their cameras off? They were rolling up to that point, weren't they? So, they turned them off during the reshuffling? Not one cameraman kept his camera on and captured it? 

The big cop must have been told to take Oswald to that far interview room. He could not have been acting on his own initiative. He must have expected to transfer the custody of Oswald to someone else at that point, either Fritz or another detective. Either someone was in that room who gave him other instructions OR no one was there, and the big cop made a decision on his own to take Oswald somewhere else. 

The fact is that we can derive no definitive information from that footage of the photogs being filmed by other photogs. We don't know how much time elapsed from the preceding scene, and we don't know what happened in-between. It's all based on assumption, we can't make sense of this Nazi propaganda movie. How about the idea that the photogs shooting other photogs was just done for the sake of story-telling? They thought it looked good.

Here is Three Shots That Changed America. The Lovelady clip lasts for 2 seconds: from 8:57 to 8:59. In this one, the big cop and Oswald never make it to that rear door, and the photogs shooting other photogs isn't seen. It all got edited out did it? The editor of 3 Shots didn't think any of that was worth keeping?  

http://www.youtube.com/watch?v=KyScurDEMsU


In A Year Ago Today, you see the big cop and Oswald milling around the door, and then it jumps to someone examining Oswald's pistol. What happened to Back the Hell up? Where are the photogs shooting other photogs?

http://www.youtube.com/watch?v=bNKMO7MbGgw

And here we have the Four Days version with the big cop and Oswald milling at the door followed by photogs shooting other photogs. The clock reads the exact same as in 3 Days even though the scene is very different.



And then, after showing the photogs shooting other photogs, which is inexplicable in itself, it shows Oswald in the room alone. But look, there are two doors. There is an outer white door and an inner brown door.


Two doors. How does that mesh with the diagram which shows only 1 door?


It doesn't make sense. It doesn't work. You can't make it work. Who knows where Oswald was at that point? You can't assume you know. It's a Nazi propaganda movie, pure and simple. 

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