Oswald in the doorway: the blog of the Oswald Innocence Campaign, by Ralph Cinque

The people who did this thought it would be easy, and that's because they knew that the whole concept of phony movies was not on the radar. They didn't think anyone would question the authenticity of it because what precedents were there for such a thing? Sure, in Nazi Germany and Stalinist Russia phony images were used all the time for propaganda purposes, but in the USA? We don't pull that kind of crap here, do we? 

I have been told that the walk-by footage of Lovelady at the Dallas PD was not seen or discussed until the 1970s. There is no reference to it before that. Nobody cited it. It became known well after the Martin clip of Lovelady from outside the TSBD which was first discussed in 1967. 

Supposedly, Martin shot his footage of the motorcade, and then he turned his camera off, walked across the street, and then shot 6 seconds more which included Lovelady. But, if that's true, shouldn't it be all one film? Why should it be divided? Here is the Martin film:

http://www.youtube.com/watch?v=n8dLonVQTRA

It's 25 seconds long, and it does not include this clip of Lovelady. 

Qualitatively, the images seem very different. 

Jack Martin a postal worker, sold his film to Life magazine, and Life magazine was good enough to lend it to the FBI for 6 months. So, who separated out the 6 second clip of Lovelady? Was it Life magazine? Or was it the FBI? 

I asked Gary Mack if in the vast resources of the Sixth Floor Museum they had an intact version of the Martin film which included the 25 second motorcade portion and the 6 seconds of Lovelady milling around outside the TSBD, and he said no.

And they changed Jack Martin's story. First, Martin said he shot the motorcade portion and then crossed the street and shot the extra 6 seconds. But then they realized that it must have taken a while for the police checkpoint to get set up; it wasn't immediate. So, they started saying that after the motorcade, Jack Martin left Dealey Plaza and went to his office to call his wife to tell her what happened. I didn't know postal workers had their own offices. And then he supposedly returned to Dealey Plaza just to take that 6 second clip that included Lovelady. Are you buying that? 

 Look at the clip again. Who is the guy in the brown shirt being allowed to enter the building? Shouldn't there be a record of that somewhere? And who is the old man in the Fedora hat on the left? Who is the old woman in the scarf on the right? They didn't work there. I hope you realize that the TSBD employees tended to be a very young work force. Wesley Frazier was only 19. Most of the others we talk about were in their 20s. 

So, who were these old people? And what was Lovelady doing there? Look, he worked there. You can't tell me he didn't have the means to get in and out. And he was inside at the time. Just read his testimomy.

Mr. BALL - Right after you talked to Gloria, did you leave the steps and go toward the tracks?
Mr. LOVELADY - Yes.
Mr. BALL - Did you run or walk?
Mr. LOVELADY - Medium trotting or fast walk.
Mr. BALL - A fast walk?
Mr. LOVELADY - Yes.
Mr. BALL - How did you happen to turn around and see Truly and the policeman go into the building?
Mr. LOVELADY - Somebody hollered and I looked.
Mr. BALL - You turned around and looked?
Mr. LOVELADY - Yes.
Mr. BALL - After you ran to the railroad tracks you came back and went in the back door of the building?
Mr. LOVELADY - Right.
Mr. BALL - You came in through the first floor?
Mr. LOVELADY - Right.
Mr. BALL - Who did you see in the first floor?
Mr. LOVELADY - I saw a girl but I wouldn't swear to it it's Vickie.
Mr. BALL - Who is Vickie?
Mr. LOVELADY - The girl that works for Scott, Foresman.
Mr. BALL - What is her full name?
Mr. LOVELADY - I wouldn't know.
Mr. BALL - Vickie Adams?
Mr. LOVELADY - I believe so.
Mr. BALL - Would you say it was Vickie you saw?
Mr. LOVELADY - I couldn't swear.
Mr. BALL - Where was the girl?
Mr. LOVELADY - I don't remember what place she was but I remember seeing a girl as she was talking to Bill or saw Bill or something, then I went over and asked one of the guys what time it was and to see if we should continue working or what.
Mr. BALL - Did you see any other people on the first floor?
Mr. LOVELADY - Oh, yes; by that time there were more; a few of the guys had come in.
Mr. BALL - And you stayed on the first floor then?
Mr. LOVELADY - I would say 30 minutes. And one of the policemen asked me would I take them up on the sixth floor.
Mr. BALL - Did you take them up there?
Mr. LOVELADY - Yes, sir; I sure did.

The above surely includes the time that the police checkpoint was going on outside, but Lovelady was not out there; he was inside. He was probably giving the police a tour of the 6th floor at the time. 

The Gorilla Man was NOT Lovelady, and there is no chance that Lovelady was milling around outside at that time. This is fake. 

And we, the OIC, were not the first to say that it's fake. The one who brought it to our attention, who first pointed out that it was not Lovelady but an impostor, was Canadian researcher K.D. Ruckman. 

Lots of people are talking about the Zapruder film being altered. Even Oliver Stone is talking about the Z-film being altered:

http://www.infowars.com/oliver-stone-zapruder-film-was-altered/

Once you realize that the Z-film was altered, you have every reason to open your mind to other JFK films being altered. There is no reason to think that they would limit their nefarious manipulation to just one film. Why? They modified all that they could get their hands on. Remember: Oswald was innocent; framed and innocent. How far were they willing to go to frame him? How far were they willing to go to hide the truth? To the moon and back, if necessary. There was no limit. There was no limit then; and there is no limit now. They'll even kill again if they have to.