Oswald in the doorway: the blog of the Oswald Innocence Campaign, by Ralph Cinque

The problems that my enemies have in making these movies appear authentic are numerous. And remember that the movies have to be internally consistent and also consistent with each other. And it really is an insurmountable problem. 

You can't get from the Lovelady in the Martin film to the Lovelady in Three Shots by any stretch of the imagination. They are obviously different men. They have different muscularity. They have different hair. They have different ears. They have different shirts: one propped open in a weird rectangular sprawl, and the other cinched up and displaying a big pocket flap. They are astoundingly different, and the idea of claiming that they were the same man separated by an hour of time is preposterous. We are utterly in the Bizarro World if we are going to say that. 

But it's just as bad going forward when you compare the Three Shots Lovelady to the Four Days Lovelady.

This is just as bad, just as impossible to say that these are the same man. And in this case, it would have been the exact same moment in time and space. Different size, different weight, different muscularity, different hair, different ears, different shirt arrangements- the works. They're obviously different men. 

So, we have a situation in which it is utterly impossible to get from A to B and then from B to C. Nothing works. The whole sequence is completely divorced from reality. They are three different men, and not one of them was Lovelady.