Oswald in the doorway: the blog of the Oswald Innocence Campaign, by Ralph Cinque

There is absolutely nothing confusing about this gif.

One image was shot from one side of the table, and the other image was shot from the other side of the table, but so what? You know that the tomatoes and the flashlight are in the same place on the table and in relation to each other. Nothing in the scene was moved, and nothing looks like it was moved. Only the photographer moved. 

But this collage below is ridiculous:

He's got everything moving. And it's absurd because Altgens and Towner were on the same side of the street. One was farther down, that's all. The idea that you would get a parallax swing like that between the two of them is absurd. 

Upperpunk is a mental clunk.