Oswald in the doorway: the blog of the Oswald Innocence Campaign, by Ralph Cinque

It's amazing that Joseph Backes keeps accusing me of ripping off photos from internet sites when he helps himself to any photo of mine with complete abandon. The hypocrisy of it is breathtaking.

But, regarding Herminio Diaz Garcia being a JFK shooter, it wasn't just Remigio Arce who said so. As late as 2007, Reinaldo Martinez, an anti-Castro Cuban who spent some time in a Cuban prison, contacted HSCA chief counsel G. Robert Blakeley about it. Martinez had a cellmate, Tony Cuesto, who had been told directly by Diaz Garcia that he had been an assassin. Blakeley believed him and so did JFK author Anthony Summers who interviewed Martinez.. Here's an article about it:

http://www.dailymail.co.uk/news/article-2463291/Was-Cuban-Herminio-Diaz-second-Kennedy-assassin.html#ixzz2hvTQ1dJ7

Of course, my interest is primarily in Danny Arce and his role in the assassination, and what we have that is rock-solid is a good visible match between him and a figure at a CIA training camp on a Florida key in 1962, and we also have a good visible match between a figure next to him and another figure in Dealey Plaza. And that doubling of the matches makes it logarithmic on the mathematical side, as Richard Charnin explained.

So, go fuck yourself with a proscenium arch, Backes. We've got Danny Arce pegged as a CIA operative. He was placed at the TSBD at the same time Oswald was precisely to facilitate the JFK assassination. There he is in Dealey Plaza in his heavy coat on a 70+ degree afternoon, keeping his communication device out of sight. And it makes his exchange with Joseph Ball about Doorman laughable. You think maybe Ball knew what he was going to say? That's Billy Lovelady my ass. The realization that Danny Arce was a CIA operative casts the following testimony in a whole different light:

Mr. BALL. Just 1 minute, I want to show you a picture. I show you Commission Exhibit No. 369. I show you this picture. See this man in this picture?
Mr. ARCE. Yeah.
Mr. BALL. Recognize him?
Mr. ARCE. Yes, that's Billy Lovelady.
Mr. BALL. Just to identify it clearly, the man on the steps---well, you see the man on the steps, do you not?
Mr. ARCE. Yes, sir.
Mr. BALL. He is a white man, isn't he?
Mr. ARCE. Yes, sir.
Mr. BALL. And you see his picture just above the picture of two colored people, is that correct; would you describe it like that?
Mr. ARCE. Yes, sir.
Mr. BALL. I am not going to mark this purposely because other witnesses have to see it.
Mr. ARCE. Yes.
Mr. BALL. Did you say that is Billy Lovelady?
Mr. ARCE. Yes, that is Billy Lovelady.
Mr. BALL. Now, there is only one face that is clearly shown within the entrance-way of the Texas School Book Depository Building, isn't there?
Mr. ARCE. Yes, sir.
Mr. BALL. And only one face of a person who is standing on the steps of the Depository Building entrance?
Mr. ARCE. Yeah.
Mr. BALL. And that one man you see there---
Mr. ARCE. Yes, that's Billy Lovelady.
Mr. BALL. When you came to work that morning, Danny---