This Hughes Doorman has got to mesh with the other Doormen from the other films, and he has to mesh with all the other images of Lovelady from 11/22/63, which is a pretty tall order considering that they don't even mesh with each other.
That's quite an open sprawl, isn't it? Look at the area of exposed white t-shirt. It's huge! It's a lot bigger than this guy's:
It's infinitely bigger considering that his shirt isn't sprawled open at all. The bloodied want to blame it on the angle, that if he were only turned towards us, we'd see it.
You know very well that Gorilla Man was not sprawled open like the Hughes Doorman. Even the bloodied know it; they just won't admit it- being bloodied and all.
But now, let's compare the Hughes Doorman to another image of Lovelady which was not seen until 2009.
Well, they are both sprawled open some but they are not the same sprawl. DeNiro Lovelady on the left (who was not seen until the History Channel documentary, JFK: Three Shots That Changed America, first broadcast in 2009) has a weird rectangular sprawl that is relatively small, and it is impossibly rectangular. Shirts don't do that. They don't behave like that. Ever. I defy anyone to produce another image of another guy in another shirt that is configured like that with a rectangular sprawl. But, the divide is much wider on Hughes Doorman, and it is obviously not the same thing.
Finally, we have the 2nd Doorman from Wiegman, who is different from the 1st Wiegman Doorman, as you can readily see:
And, it is easily seen that the 2nd Wiegman Doorman had a different sprawl than the Hughes Doorman.
I describe the 2nd Wiegman's shirt sprawl as r-shaped, but the Hughes Doorman's was cavernous.
None of this coordinates; none of it confirms. It's all a mess of conflicting data. They thought no one would bother to compare the the images so closely. They thought wrong.
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.