And Unger hasn't said anything about it either, so I guess you could say they are taking the 5th. But, the fact remains that the image of of the man is out of control, and it's because he was implanted.
Unger has gone back to this image of the Hughes doorway from earlier in time, before Kennedy got shot and as he was passing by.
Of course, Unger said the guy is Lovelady, ignoring the reasons why he can't possibly be: his clothes, his size, plus Lovelady's account of where he was and who he was with. But Unger did admit one thing of importance: that this conflicts with what we see in the Wiegman film, where Doorman is in the center of the doorway. So, Unger takes the easy way out by assuming that he moved, that he relocated. I admit the physical possibility of that, but I still think it is arbitrary and unwarranted. I think Oswald would have taken that center spot from the beginning. When you look at him in Wiegman, he looks very stable, like he's been there for a while.
We are talking about no more than a few seconds, from when the limo was at the top of Elm to when it was half-way down the hill. It took me only 7 or 8 seconds to run it. To claim that he swifted up to the top right during the action is just a feeble attempt to reconcile these two disparate images. It doesn't work. I'm not buying it.
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